Between May and September, three different orchestras will give public readings of new works for symphony orchestra written by a total of sixteen jazz composers as part of the third Jazz Composers Orchestra Institute (JCOI) Readings.
Whether she is writing for orchestra, chorus, solo piano, an opera, or her own indie-rock inspired chamber ensemble Victoire, Missy Mazzoli is still “asking the same questions” and “finding different answers to the question of how to bring an intimate, vulnerable, human experience to a situation.”
Certain sounds of resistance—shouting, speeches, chanting, and singing—simultaneously bring together and diffuse, and meaningfully hold in suspension situations that could easily descend into chaos and violence.
How do you define radio in this day and age of digital platforms? If you were in charge of a new music radio show, 24/7 stream, or podcast, what would you include?
Just look at the names: new complexity, neo-romanticism, post-minimalism—three of the broadest trends in contemporary music, all with echoes of pastiche baked right into their labels. Clearly artists have always taken ideas and materials from other sources—how could we not?—but never before have we so celebrated the attribution of those sources.
During a year in which the Oscars have received strong criticism for their lack of diversity, this seems an especially odd move–not only in terms of the music itself, but also when considering that it means the absence of Korean soprano Sumi Jo and transgender performer ANOHNI.
New and archival recordings offer a glimpse of social life in the Little Cities–sonic insights that open up an archive of ideas for a careful listener willing to jump on a carnival ride or blow the dust off a forgotten piano keyboard.
Steven Stucky had an astounding intellect, but perhaps more important were his warmth, graciousness, and generosity of spirit. He gave unstintingly of his time to many organizations; perhaps even more important, he did the same for his friends and his students.
The love that a student has for her teacher is a special one. I miss you like crazy. I still hear your words of counsel from our music lessons of old. I remember your distinctive walk, frail and steely both, across worn carpet to the treble-bright piano in your studio, thick music score in hand. When I was over early at the house, you and beautiful Anita would fry up corn pancakes while discussing a marvelous new clarinetist who bled “for his composer and played like it was his last breath!”
No application necessary (or accepted): MacArthur Award for Creative and Effective Institutions and Robert D. Bielecki Foundation awards announced