I was able to draw parallels between the staves in my score and the tracks in a ProTools session. By looking past our preconceived notions of musical genres, we were able to find the interconnectivity inherent in all musical expression.
Q&A plus new video featuring RighteousGIRLS, the New York-based duo of flutist Gina Izzo and pianist Erika Dohi. Their debut album, gathering blue (New Focus Recordings), was released today.
All societies in decay make war on artists and intellectuals because they offer ideas that are uncomfortable. What are you here to say?
The composer faces a future more uncertain than that of anyone, except perhaps the poet. When school days come to an end, the composer mortality rate—not to mention that of their all too perishable idealism—is close to 100 per cent. I am one of the many in that uncertain middle ground trying to survive, pen in hand.
In partnership with the Los Angeles-based new music ensemble wild Up, the American Composers Forum has announced the three winners of the 2015 American Composers Forum National Composition Contest, their fourth thus far.
SESAC, one of the three performing rights societies operating in the U.S.A., has agreed to buy the Harry Fox Agency (HFA), which is the pre-eminent American collecting agency for mechanical rights.
When a journalist like Tippett can interview anyone in the world, which musicians does she choose? And what does this tell us about musicians’ perceived impact in the wider world?
While many commenters to Bill Holab’s article directly focused on the immediate topic of yay or nay vis-à-vis Sibelius 8, others have passionately advocated for alternative music notation software programs.
I’d worked as a teaching assistant in college and had taught composition for a couple of summers, but this was the first time I’d encountered the label “teaching artist,” let alone had it applied to me. Over the course of the next nine weeks, I would learn more about being a composer, a teacher, an artist, and a person than I ever thought possible.
There have been big changes in the notation software market in recent years, and a lot of people are confused about what is going on and what the future might hold. So here are a few updates (if not upgrades) from the land of music notation software.