The Cistern Chapel: Resonance from the Pacific Northwest

Dan Harpole Cistern

In the Pacific Northwest underneath the decommissioned Fort Worden is a 2 million-gallon concrete cistern, now empty, that has a 45-second reverb time. And its impact on experimental music has resonated across the country and down through the decades.

Muhal Richard Abrams: Think All, Focus One

Muhal Richard Abrams sitting in front of the New Music USA mural (created by the staff at New Music USA in 2015)

To Muhal Richard Abrams, there are no boundaries. Any label we put on something—fixed composition vs. spontaneous improvisation, group vs. individual, even old music vs. new music—is artificial and limits possibilities. From his vantage point, all dualities are contained within each other.

Space Matters: A Call for Community Action

Microphone on stage

With our collective action, it is within our grasp to begin to create a new kind of concert hall for the 21st century—bringing in new audiences, inspiring new generations through art and music, and building stronger communities.

Music is So Flippin’ Hard: Adversity Training for Musicians

Image of a tree extremely bent from harsh winds

We have spent thousands of hours in practice rooms and countless hours alone composing, practicing, and pursuing funding.  Music is hard. But we can use the adversity training idea to fully embrace the challenge that music, and the surrounding industry, brings to our lives.

Page 7 of 655« First56789Last »