The Ostrava Days, an intense biennial in the Eastern end of the Czech Republic, has long been known for stretching into long nights across August. But this year seemed especially expansive: there were performances of Philip Glass’s four-hour Music in 12 Parts and Petr Kotik’s nearly six-hour Many Many Women before the official opening night.
If you follow the American Composers Orchestra and you stay on top of your composer opportunities, you might have noticed ACO’s most recent Earshot post on Facebook: readings for emerging African-American composers. I was surprised to see some comments that weren’t so positive–comments that reflect some dangerous thinking.
Individual performers, composers, organizations, presenters, and other artists can all apply on behalf of their projects simply and at no cost. The new system boasts a streamlined process designed to allow music makers to showcase their work and ask for the support they need in a succinct and efficient manner. The first deadline is November 4.
Noah Creshevsky’s expansive 2012 sample-based composition The Four Seasons, which forms the basis of his latest CD release on Tzadik, is hardly without precedent. For starters, there’s Vivaldi, but also Haydn, Fanny Mendelssohn, Glazunov, John Cage, Wendy Carlos, Chen Yi, etc. However, it is one of the most meticulously crafted renderings of this much-traversed concept and is arguably the most elaborate of all of his musical creations thus far.
Although the president of Local 802 implied that “abandon[ing] an accessible repertoire … resulted in financial disaster” for New York City Opera, most NYCO premiere performances I have attended over the years were packed. In fact, every opera company in the United States would better serve American audiences by presenting more contemporary American operas.
In our contemporary music landscape, long-term collaborations can be logistically and financially difficult to achieve. Two weeks ago, I visited violinist Austin Wulliman and composer/bassoonist Katherine Young in their studio and was intrigued to see them working together in an entirely new context.