Soundtracks: June 1999

Last month, when we launched NewMusicBox we featured information about 56 new CDs of American music issued since January 1999. For our second issue, we feature yet another 40! The year is not yet half over and already there are almost 100 new recordings of American music floating around. And the range this month is […]

American Music and the Future of the Recording Industry

The sad reality of being unable to hear a large amount of American repertoire or new music of any national origin in the concert hall or on the radio is countered by the ecstatic joy of being able to hear anything you want if you’ve got it in your record collection.

Foster Reed of New Albion Records

One of the original “indie-classical” labels, San Francisco-based New Albion Records defined the West Coast Sound and helped to launch the careers of John Adams, John Luther Adams, Ingram Marshall, Paul Dresher, Stephen Scott, Chen Yi, Sarah Cahill, David Tanenbaum, Margaret Lang Tan, and many others. New Albion’s founder Foster Reed explains the label’s philosophy.

What makes you attend a music event? Eugene V. Carr

Eugene V. CarrPhoto courtesy of CultureFinder Former Executive Director, American Symphony Orchestra & President, CultureFinder (The Online Address for the Arts) Whenever I go to a modern dance performance I’m usually thrilled by the air of expectation in the house. People are eagerly waiting to see what their favorite dancers and choreographers are up to. […]

What makes you attend a music event? George Steel

George SteelPhoto courtesy of George Steel Conductor and Artistic Director, Miller Theater (Columbia University) The Elements of Style: What attracts me to a new music concert Free drinks: A concert is a celebration. It should feel like one. Any gesture of hospitality is always a lure. Unapologetic programming: Nothing makes a program more drab more […]

Speak For Yourself! A Hyper-History of American Composer-Led New Music Ensembles

Ken Smithphoto by Melissa Richard For a composer, the urge to assume creative control in your own musical matters is as American as…well, Aaron Copland. But whether your frame of reference is literally the Copland-Sessions Concerts of Contemporary Music, a four-season project from 1929-1932 where American composers first took charge of bringing their music to […]

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