William DuckworthPhoto by Paula Court Music at the end of the 20th century is on the cusp of a major technological revolution. Unlike previous advances in technology, which centered on new sounds created with new electronic instruments, the next advance will focus on the internet. With the storage and retrieval of music well underway on […]
Photo courtesy Morton Subotnick The speed of information access and the amount and low cost of memory will make MIDI output devices unnecessary in the performance of my music. More and more I am ONLY using a computer. I think we will see a major evolution in the recorded media. It will change to DVD […]
Joseph A. Paradisophoto by Rich Fletcher The desire for musical expression runs deeply across human culture; although specific styles can vary, music is generally considered a universal language. It is tempting to surmise that one of the earliest applications of human toolmaking, after hunting, shelter, defense, and general survival, was probably to create expressive sound, […]
Of the 24 discs featured in our current SoundTracks round-up, only 2 are discs of electronic music: David Doty‘s multicultural microtonal synthesizer landscapes and the unique multi-tracking experiments of Robert Paredes. A third CD, Future Flute — Margaret Lancaster’s recital disc of works by four composers, features works which combine flute with computer electronics. Still, […]
Anyone pursuing music, either as a composer, a performer or a listener, cannot escape technology.
Morton Subotnick“More and more I am ONLY using a computer…” William Duckworth“…some of us are already beginning to develop new virtual instruments and to conceive of ways to facilitate live performances on line…” Pamela Z“Each time I have introduced a new tool into my arsenal, it has resulted in new ideas and added new colors […]
David Del TrediciPhoto by Robin Holland courtesy Boosey & Hawkes Best:1976 premiere of FINAL ALICE in Chicago with Solti conducting and Barbara Hendricks, soprano soloist. Because the piece was so tonal — long stretches in the purest D Major — I was terrified the piece would be ridiculed by the public, press and players. As […]
Tim PagePhoto courtesy St. Louis Symphony Orchestra I’ll have to choose the world premiere of Steve Reich’s Music for 18 Musicians — April 3, 1976 at Town Hall in New York — as the most influential concert I ever attended. It opened new sonic worlds to me and literally pushed me into criticism: I HAD […]