What role, if any, do you think technology will play in the composition and performance of your music in the next 25 years?

Morton Subotnick“More and more I am ONLY using a computer…” William Duckworth“…some of us are already beginning to develop new virtual instruments and to conceive of ways to facilitate live performances on line…” Pamela Z“Each time I have introduced a new tool into my arsenal, it has resulted in new ideas and added new colors […]

How American Are American Orchestras?

Andrew J. Druckenbrodphoto by Allison Schlesinger The twentieth century will be viewed as a time in which composers expanded the range and possibilities of musical language and sound. But also as a period that saw a rift develop between new and old music, especially in the U.S. Here, orchestras delved into the pantheon of dead […]

Soundtracks: September 1999

As the cost of making orchestral recordings in the United States continues to skyrocket, less than 15 recordings by the major American orchestras have been slated for studio time this year. Clearly, something must be done to make American orchestral recordings viable once again and the answer is in the recording of new American repertoire. […]

The Orchestra in Contemporary American Musical Life

Frank J. OteriPhoto by Melissa Richard Is the orchestra a viable contemporary American institution? That’s a question that’s been on a lot of people’s minds both within and outside the orchestral music community as well as within the new music community which all too frequently has been treated like an opposition political party. There are […]

Describe your best and worst memories of premiere performances

John Corigliano“The best premiere I can remember is that of my Clarinet Concerto with Leonard Bernstein conducting the New York Philharmonic and Stanley Drucker as the soloist…” Tim Page“…I’d choose the first performance of the orchestral version of Reich’s Tehillim in 1981 as the “worst” premiere.” Laurel Ann Maurer“I premiered [Meyer Kupferman's] work “Chaconne Sonata” […]