Anyone pursuing music, either as a composer, a performer or a listener, cannot escape technology.
Morton Subotnick“More and more I am ONLY using a computer…” William Duckworth“…some of us are already beginning to develop new virtual instruments and to conceive of ways to facilitate live performances on line…” Pamela Z“Each time I have introduced a new tool into my arsenal, it has resulted in new ideas and added new colors […]
David Del TrediciPhoto by Robin Holland courtesy Boosey & Hawkes Best:1976 premiere of FINAL ALICE in Chicago with Solti conducting and Barbara Hendricks, soprano soloist. Because the piece was so tonal — long stretches in the purest D Major — I was terrified the piece would be ridiculed by the public, press and players. As […]
Tim PagePhoto courtesy St. Louis Symphony Orchestra I’ll have to choose the world premiere of Steve Reich’s Music for 18 Musicians — April 3, 1976 at Town Hall in New York — as the most influential concert I ever attended. It opened new sonic worlds to me and literally pushed me into criticism: I HAD […]
John CoriglianoPhoto by Julian Kreeger courtesy G. Schirmer The best premiere I can remember is that of my CLARINET CONCERTO with Leonard Bernstein conducting the New York Philharmonic and Stanley Drucker as the soloist. My father, who died in 1975 — two years before the premiere — was the concertmaster of the Philharmonic, and they […]
Andrew J. Druckenbrodphoto by Allison Schlesinger The twentieth century will be viewed as a time in which composers expanded the range and possibilities of musical language and sound. But also as a period that saw a rift develop between new and old music, especially in the U.S. Here, orchestras delved into the pantheon of dead […]
As the cost of making orchestral recordings in the United States continues to skyrocket, less than 15 recordings by the major American orchestras have been slated for studio time this year. Clearly, something must be done to make American orchestral recordings viable once again and the answer is in the recording of new American repertoire. […]
Frank J. OteriPhoto by Melissa Richard Is the orchestra a viable contemporary American institution? That’s a question that’s been on a lot of people’s minds both within and outside the orchestral music community as well as within the new music community which all too frequently has been treated like an opposition political party. There are […]