Steve Smithphoto by Andrew Kochera New music has always had a tough time finding a home to call its own. Faced with a lack of performances by mainstream classical performing groups, as we learned here last month, many composers and other devotees of the avant-garde took it upon themselves to found their own ensembles to […]
Last month, when we launched NewMusicBox we featured information about 56 new CDs of American music issued since January 1999. For our second issue, we feature yet another 40! The year is not yet half over and already there are almost 100 new recordings of American music floating around. And the range this month is […]
The sad reality of being unable to hear a large amount of American repertoire or new music of any national origin in the concert hall or on the radio is countered by the ecstatic joy of being able to hear anything you want if you’ve got it in your record collection.
Robert Hurwitz“I buy them to hear musician friends when they forget to send me a copy of their latest album…” Laura Kuhn“…I confess that what I’m listening to right now doesn’t really qualify as new American music…” Aaron Jay Kernis“I’ve always felt it important to hear as much new music in concert and have it […]
One of the original “indie-classical” labels, San Francisco-based New Albion Records defined the West Coast Sound and helped to launch the careers of John Adams, John Luther Adams, Ingram Marshall, Paul Dresher, Stephen Scott, Chen Yi, Sarah Cahill, David Tanenbaum, Margaret Lang Tan, and many others. New Albion’s founder Foster Reed explains the label’s philosophy.
Eugene V. CarrPhoto courtesy of CultureFinder Former Executive Director, American Symphony Orchestra & President, CultureFinder (The Online Address for the Arts) Whenever I go to a modern dance performance I’m usually thrilled by the air of expectation in the house. People are eagerly waiting to see what their favorite dancers and choreographers are up to. […]
George SteelPhoto courtesy of George Steel Conductor and Artistic Director, Miller Theater (Columbia University) The Elements of Style: What attracts me to a new music concert Free drinks: A concert is a celebration. It should feel like one. Any gesture of hospitality is always a lure. Unapologetic programming: Nothing makes a program more drab more […]
Ken Smithphoto by Melissa Richard For a composer, the urge to assume creative control in your own musical matters is as American as…well, Aaron Copland. But whether your frame of reference is literally the Copland-Sessions Concerts of Contemporary Music, a four-season project from 1929-1932 where American composers first took charge of bringing their music to […]
Frank J. OteriPhoto by Melissa Richard In 1939, six American composers joined forces to create the American Music Center, the first-ever information center devoted to the promulgation of new music. For many years, the American Music Center served as the only repository of scores and recordings of a diverse array of repertoire. This effort proved […]