Charlie Hoyt, Randall Woolf, Wendy Mae Chambers, and Robert Maggio respond.
A scene from the 1984 Production of Einstein On the BeachPhoto by Tom Caravaglia, courtesy Zeisl Frank J. Oteri talks with Philip Glass Tuesday, October 9, 2001—5:00-6:00 p.m. Dunvagen Studios, New York, NY Videotaped and transcribed by Amanda MacBlane Art vs. Entertainment Labels, Music Criticism, and Changing Tastes Reflecting on Earlier Music Breaking Musical Taboos […]
On a beautiful summer morning in 1983 two Amtrak trains, one traveling northbound, the other south, were accidentally routed onto the same track just north of Penn Station. Shortly before 9am they collided on the Hell’s Gate bridge some 80 feet over the streets of Queens. I was sitting in my seat waiting for my […]
Deep within me lives a confirmed Luddite who harbors a fundamental mistrust of technology. But in spite of myself I’ve been inexorably drawn to electronic media by strong musical imperatives.
Saxophonist Charles Lloyd commissioned to write for the San Francisco Jazz FestivalPhoto courtes In town for a gig at the Blue Note, Charles Lloyd sat down to talk with me in an upper room of a Greenwich Village apartment on a rainy Friday morning. Over the steady drip of water hitting the chimney flue, he […]
Composer and Advocate for New Music, Raymond Wilding-WhitePhoto courtesy of Glennie Wilding-Whit Distinguished composer and professor Raymond Wilding-White, 78, died of liver failure at home August 24, 2001 in Kewaunee, Wisconsin. His wife and daughter were with him. Wilding-White composed more than one hundred works during his lifetime, from choral and symphonic compositions to electronic […]
Chamber Music America has announced support for sixteen commissions, part of a list of thirty-three awards granted this season to ensemble musicians, presenting organizations, and community groups across the country. CMA will also support seventeen long and short-term residency projects. The awards are intended to fund music education and outreach programs, provide ensembles with performance […]
Screenshot from Igor Engraver 1.5Image courtesy of NoteHeads As much as computers and word processing software have changed how this article was written, music notation software has transformed music scoring and publishing. For the past couple of years, Sibelius and Coda’s Finale have dominated the field, but quietly coming up on the inside is Igor […]
Napster logoCourtesy Napster Napster, built up by the RIAA as the great evil hovering above the music industry, has become something of a red herring in the field of digital music, with the press and the recording industry both fixated on it. Still defending itself against lawsuits for copyright infringement, the service is in the […]
Timeline of the scoreImage courtesy of John Cage in Halberstadt At the stroke of midnight on September 5, 2001, a performance of John Cage‘s ORGAN2/ASLSP (As Slow As Possible) began in the small German town of Halberstadt. Taking Cage at his word, it is not scheduled to conclude for another 639 years. The performance began […]