Fay Victor began her career as a straight-ahead jazz singer but now makes extremely difficult to define music that embraces blues, psychedelic rock, Caribbean popular forms, experimentalism, and even elements of classical music, as well as jazz.
Boston’s $1.5 billion arts industry is teeming with life, from the heady and formal to the gritty and DIY. Will Roseliep plunged into the ecosystem and brought back this report.
There may be no greater way to make yourself feel like a bad composer—the worst composer, really—than watching the fluffiest of all fluffy shows in the house of one of the Great American Composers while being paid, essentially, to live there and compose.
Introducing a new way to enjoy the music and interviews NewMusicBox collects every month! You can now sit back and listen to audio-only versions of the profile videos we have created in a single continuous stream, or pick and choose to create your own playlist.
Listening to Charlie Parker’s 1945 recording of “Now’s The Time” changed Sheila Jordan’s life, but hearing her sing “You Are My Sunshine” changed mine.
What if we technologists could be as rigorous about reinventing our creative processes as we are about reinventing software? And what if some of our time-tested best practices could be of use to new music makers, as they pave the way for new explorations of sound and performance?
Whatever Sheila Jordan sings she makes completely her own to the point that the line between composition and interpretation is extremely blurry. Now in her late 80s, Jordan is booked for the rest of the year with performances and masterclasses across the USA, as well in Germany, Austria, Italy, and Japan.
“What are you working on now?” Few—if any—composers are willing to admit when we’re not writing anything. It’s time to acknowledge that in a creative practice, a period of rest can be necessary.
What a jazz singer does with a melody is every bit as compositional as an improvised instrumental solo, and not only when those singers are scat singing. Over the course of the next three weeks, three extraordinary jazz vocalists who come from three very different backgrounds and span three generations—Sheila Jordan, Fay Victor, and Jen Shyu—will tell the story of why they sing, what they sing, and perhaps most importantly, why they sing what they sing.
The possibility for “new music” to find its way into advertising is there, it just needs to be the right sound for the right project.