Studies show that loud sounds dull our sense of taste, which may explain why airplane food tastes so bland, and why people order more tomato juice on planes, as umami flavors are the most resilient to volume.
Not only did Arto Lindsay found arguably the most important band from New York’s early-’80s No Wave scene, he is a well-known figure in Brazilian pop, collaborator of Matthew Barney’s, leader of parades, and thrower of sounds in space. He sat down with Sam Hillmer to chat sound design, confrontational aesthetics, and much more.
Systemic bias is nowhere near its death throes and we all need to be vigilant against it. Be mindful of what you vote for with your dollars and your attention.
Composer John Supko and critic Jeffrey Edelstein discuss collaboration.
One of five composers will receive the 2016 Gaudeamus Award, an international prize eligible to composers under the age of 30 consisting of a composition commission worth € 5,000.
All in all, the 2015 edition of the World Music Days was filled with lots of truly memorable music that was very well performed and I was very happy that I had the opportunity to be there to experience it firsthand. Still, I could not help thinking that this one-of-a-kind new music assemblage could be so much more than what had been presented in Ljubljana.
The National Endowment of the Arts has announced the 2016 NEA Jazz Masters honorees will be vibraphonist Gary Burton, saxophonists Pharoah Sanders and Archie Shepp, and jazz advocate Wendy Oxenhorn.
It should make us all deeply uncomfortable how white the new music scene is. We must address the fact that we are missing out on certain new music because it is being classified for different communities, or not being classified at all.
New music musicians are generally left-leaning and pro-labor, yet much of the new music field is non-unionized. Why is that?
Composer John Supko and critic Jeffrey Edelstein on when composers get a little help from their friends.