Composer-trombonist-conductor JC Sanford’s recent release Views From The Inside on Whirlwind Recordings delivers loads of aural surprises wrapped up in layers of jazz orchestra.
Sound and Music, a national agency for new music in Britain, has conducted a survey of 466 composers designed to explore the economic challenges facing the creation of new work. Average fee per commission in 2013: £1,392.
We are subsuming a mindset that places little value in our work and then wondering why no one cares about what we do. If a touch of entrepreneurship is how we survive our present situation, so be it. But I do not believe entrepreneurship holds great promise for our future.
Is there a mess on the desk? Evidence of vice or obsession? A disruptive cat or two? Billie Jean Howard’s blog By Measure offers the voyeuristic pleasure of vicariously poking around another artist’s home.
Young people who want to compose or perform new music often don’t have a clear way to gain educational experience, but several organizations in Missouri are working to change that for local students.
Evan Ware suggests that his piece is an invitation for an interpretative dialog between his listeners’ experiences and his music’s ingrained symbols. Yet, even if we accept this premise, how do we evaluate the way pieces of music, and their composers, foster the formation of listeners’ interpretations?
Jeffrey Mumford’s recent 2-CD album through a stillness brightening features a selection of imaginative, skillfully executed solo and chamber works to fire up the ears.
I don’t think that teaching some basic entrepreneurial skills is by itself a bad thing, but it’s not a cure-all for the difficulties musicians face financially. Perhaps even more troubling, though, is that in promoting certain business practices there doesn’t seem to be a discussion about how they may conflict with artistic pursuits.
Three teams of new opera composers and librettists will premiere new 20-minute operas, each based on a contemporary American story, in a semi-staged concert performance on November 21, 2014 in the Kennedy Center Terrace Theater.
American Music Project, a nonprofit organization focused on supporting performances of American classical music and the commissioning of new work, to launch with premiere of Amy Wurtz’s Piano Quintet.