The Opportunity of Electroacoustic Musicology

A table with a variety of electroacoustic music gear. Image courtesy Blake Zidell & Associates for NYCEMF and the New York Philharmonic Biennial)

The musicological exploration of electroacoustic music, its historical and social dimensions, is long overdue. In fact, as so many pivotal figures pass away, I cannot fathom why there has not been a rush to collect primary source material, let alone to interpret it.

2016 Pew Arts Grants Announced

Pew 2016 Grants

The Pew Center for Arts & Heritage has announced their 2016 grants in support of the Philadelphia region’s cultural organizations and artists. Fifty three grants totaling more than $10 million will provide funding.

Opera Philadelphia Names Rene Orth 6th Composer in Residence

Rene Orth

Opera Philadelphia, in collaboration with Music-Theatre Group in New York, has announced that composer Rene Orth has been selected as its sixth composer in residence. Funded by The Andrew W. Mellon Foundation, the position combines an individualized plan of study with a living stipend and health benefits.

New Music Is Not (Necessarily) Contemporary Music

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New Music is at its core an artistic project based on critique: this is its link to modernity—what fundamentally defines its nature. It questions past, dysfunctional normative models as a means to generate newer, more appropriate aesthetic fields through which another future may be built.

Music Publishers Association Announces 2016 Paul Revere Awards

A display of the 2016 Paul Revere Award winning scores

The 2016 Paul Revere Awards for Graphic Excellence were announced during the luncheon of the annual meeting of the Music Publishers Association at the Redbury Hotel in New York City on Friday, June 10. Among the award-winning publications were scores by Steven Mackey, William Kraft, John Harbison, Augusta Read Thomas, and Daniel Dorff.

Structural and Playback Issues in Current Electroacoustic Music

A table with a variety of electroacoustic music gear. Image courtesy Blake Zidell & Associates for NYCEMF and the New York Philharmonic Biennial)

I’ve composed works using electroacoustic technologies since 1963, and I want to share with you over the next several weeks some of my thoughts about the current state of the medium. Since I am trained as a Western classical composer, my comments will be from that perspective. 1. Structural Issues in Current Electroacoustic Music The […]

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