Inspired Collaboration: No Idea Festival 2014

Tucker threads the needle - photo by Gudinni Cortina

The No Idea Festival started its second decade of improvisation with six shows over a four-day period in Austin and San Antonio. Founder Chris Cogburn assembled another amazing collection of performers this year, drawn from across the country as well as Mexico.

Sounds Heard: The Quiet Ones

The Quiet Ones

These three recordings have been sitting patiently and quietly in the pile on my desk without flash or fanfare, waiting to be listened to. Two of the discs are from just down the road in Washington, D.C., while another comes from San Francisco, and the music they contain couldn’t be more diverse.

Unsung Heroes

Kaytee Esser's painting "Kansas City Jazz"

There were plenty of capable and talented ladies involved with jazz from the beginnings of jazz history, but social expectations for the household matriarch did not include frequenting dance halls at night and touring around the country for weeks in a bus full of men. For some brave women, the attraction to this exciting new music was stronger than social barriers.

Towards a More Visceral Living

John Cage

I often feel that without a detailed study of our music we become lost but, even worse, with only a detailed study of our music we become boring. Embracing a more complicated visceral living through firsthand experiences and outside fields can lead us to unexpected ends. I hope we use our music to examine these living ideas, adding to our cultural knowledge along the way.

Skirts or Pants? How About Both

Skirt by Wanda Ewing

As women, by and large, we have been taught to view ourselves as made up of independent spheres, separating our profession from our gender, and from our craft. One challenge is to allow and encourage our various roles to operate and shape us in tandem, rather than in silos.

Sounds Heard: Janice Misurell-Mitchell—Vanishing Points

Janice Misurell-Mitchell Vanishing Points CD cover

The music of Chicago-based Janice Misurell-Mitchell seamlessly weaves elements from high modernism with jazz, Latin, blues, and even funk into an amalgam that is completely its own thing. Vanishing Points, the second retrospective disc of her music, collects six of her chamber music compositions spanning four decades.

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