Stephen Sondheim“…opera is musical theater that takes place in an opera house in front of an opera audience…” Jack Beeson“…In musicals, all the words…are to be understood. Opera audiences…are awed when…they understand an English libretto, and forget to watch the supertitles…” Philip Glass“…Basically, I don’t care what you call it…” Elizabeth Swados“I don’t think those […]
Robert Ashley at his home in New York City March 13, 2001, 1:00pm Transcribed by Julia Lu Filmed by Jenny Undercofler Download the Entire Transcript [52K Acrobat PDF] FRANK J. OTERI: I’ve been following your music for over 20 years and am a huge fan of your work which is often hard to describe to […]
Composing music for the stage.
Barry DroginPhoto by Lindsay Drogin Here’s a frustrating parlor game: Come up with a term for the form that includes the operas of Gian Carlo Menotti, the musicals of Leonard Bernstein, the dance-theater of Meredith Monk, the music-theater of Robert Ashley, and such hard to classify works as Porgy and Bess, Four Saints in Three […]
Just what is improvisation?
Anthony IannacconePhoto by Dick Schwartz Anthony Iannaccone’s Waiting for Sunrise on the Sound was commissioned by the NOVA fund. It was given its premiere in 1998 by the Plymouth Symphony, with the composer conducting, and was recorded in February 2000 by the Czech Radio Orchestra, conducted by Vladimír Válek. In addition to a planned commercial […]
Richard Danielpourby Bill Bernstein, courtesy G. Schirmer/Associated Music Publishers Michigan Opera Theatre received $25,000 to support the commission of an American opera, Margaret Garner by Richard Danielpour, with libretto by author Toni Morrison. The opera is based on the true story of a woman born into slavery around 1840, who, with her two children, tries […]
Kim D. Shermanphoto of by John Sheehy The Portland Stage Company, in partnership with the Women’s Project and Productions, received $22,000 to support the development and co-production of Leaving Queens, with book and lyrics by Kate Moira Ryan and music by Kim D. Sherman. Leaving Queens played in Portland from January 30 to February 18, […]
The Minnesota Orchestra received $75,000 to support the creation and performance of 11 commissions for the 2001-2002 and 2002-2003 by the Minnesota Orchestral Association. To celebrate the 2003 centennial, the Minnesota Orchestra committed to commissioning, performing and recording major new works from some of the world’s leading composers, with world premieres of 30 works over […]
The Albany Symphony received a $25,000 Creativity Grant to support Composing the Future, a multi-faceted project celebrating American composers and their music. During 2001-2002, the Albany Symphony Orchestra (ASO) and two smaller ensembles made up of ASO musicians will commission, present and record for national distribution the music of established and emerging American symphonic repertoire. […]