Where do you think that your music fits on the classical-popular divide? Why?

Diamanda Galas“…I think my performances, as independent as they may be from each other, allow me to reside, musically, under my own name…” Neil Haverstick“Ever since I was a young boy, stylistic classifications in music have meant absolutely nothing to me…” Erik Hoversten“…The most innovative music, after all, does not fit into any pre-designated categories…” […]

Gary Lucas: Ignoring Genre Divisions

Guitarist Gary Lucas has been one of the most in-demand in the realm of experimental rock for decades. Perhaps best known for his stint with Captain Beefheart and the Magic Band, Lucas was also the electric guitarist for the European premiere of Leonard Bernstein’s Mass. Lucas talks about Beefheart and Lenny as well as his numerous fascinating solo projects.

Soundtracks: June 2000

It is perhaps poetic justice that concurrent with our issue inspired by the winner of the 2000 Pulitzer Prize in Music that Bridge Records has released the world premiere recording of the Pulitzer winner from 1999, Melinda Wagner’s Flute Concerto. There are a number of other Pulitzer alumni among the featured composers this month: Howard […]

Prizing American Music

Frank J. OteriPhoto by Melissa Richard Over the years, I have frequently bemoaned the fact that there is no Nobel Prize for Music. While only in my most musically zealous moments I’d claim that musical contributions are as significant as strides toward world peace, even in my soberest moments I know in my heart that […]