Orlando Jacinto GarciaPhoto by Rafael Salazar As we enter the next century the music world can seem a bit confusing. Twenty-five years ago what was considered the Western Art music canon consisted of music from either Antiquity or the Renaissance through the Baroque, Classical, Romantic, and into the 20th century. The music called by many […]
Thaddeus Squire Where are the venues for new music in Philadelphia? Good question. To discuss the lack of venues for the contemporary performing arts in Philadelphia at the moment is—literally—a monumental irony. December 15 marks the opening of the Regional Performing Arts Center (a.k.a. RPAC—no relation to NJPAC), Philadelphia’s newest, largest, most anticipated, celebrated, and […]
Dean SuzukiPhoto by Ryan Suzuki I would like to suggest that we may have a skewed notion of the criteria for what it good or great in the music and the arts. Guided by our Western philosophies, aesthetics, and sensibilities, many of us have decided (or someone has decided for us) that great music, great […]
Greg Sandow A while ago I saw a Godard film, one of his later ones, Soigne ta droite from 1986, which like all Godard’s later films isn’t easy to understand. It’s even hard to say what it’s about, which doubtless means the question doesn’t apply, or at least doesn’t apply in any normal way. The […]
Photo by Melissa Richard A few months ago, I took a friend who was into electronica and obscure indie-rock to a new music concert at Carnegie Hall, naively convinced that I was opening his eyes to a whole wide world he never knew existed but would embrace immediately as the most cutting-edge music he had […]
Sarah Rothenberg, Amy Denio, Mary Jane Leach, and Phil Kline debate.
Russell Johnson, Colette Domingues and Limor Tomer Russell Johnson– CEO of Artec Consultants, Inc.Colette Domingues– Principal, Magalhães MusicLimor Tomer– Curator for BAMCafé Conceived by Molly Sheridan and Amanda MacBlane Moderated by Frank J. Oteri Friday, December 7, 2001The Robert Steele Gallery in ChelseaNew York, NY Videotaped and Transcribed by Amanda MacBlane The Ubiquity of Music The Concert Hall […]
There must be twelve-step programs for people like me. I confess: I’m a recovering serialist.