Natasha Sinha: Top Ten!

Natasha SinhaPhoto by Raj Sinha Natasha Sinha talks with Frank J. Oteri at the New York City offices of ASCAP May 24, 2001—11:30 a.m. Conversation videotaped by Jenny UndercoflerTranscribed by Julia Lu The Life of a Composer The Process of Composing, Audiences and Peers Musical Influences From Notation to Performance Program Music and the Avant-Garde […]

Anthony Gatto

Anthony GattoPhoto courtesy of the composer Composer Anthony Gatto was born and raised in Brooklyn. In May of 2001, he received his D.M.A. in composition from the Yale School of Music, where his teachers were Jacob Druckman, Martin Bresnick, and Ezra Laderman. Dr. Gatto has also studied with Lukas Foss and Ornette Coleman. He has […]

Music Panelists

Music Composition, Preliminary Panel Mel Marvin, composer, director, Resident Composer of the Graduate Musical Theatre Writing Program, NYU’s Tisch School of the Arts James Mobberley, composer, Curators’ Professor of Music, University of Missouri-Kansas City Conservatory of Music Diedre L. Murray, composer, Queens, NY Final Panel Joy HarjoPoet/Musician/WriterHonolulu, HI Jennifer LawsonProducerWashington, DC Mel MarvinComposer/DirectorResident Composer, The […]

Winners

Film/VideoShelli Ainsworth – Minneapolis, MNSteven Matheson – St. Paul, MNGarret Williams – Minneapolis, MN LiteratureJonathan Brannen – St. Paul, MNSarah Fox – Minneapolis, MNMaureen Gibbon – Plymouth, MNAdrian Louis – Marshall, MNKevin McColley – Pinewood, MNDan O’Brien – Whitewood, SDSheila O’Connor – Minneapolis, MNBertrand Vogelweide – Richardton, ND Music CompositionBrent Michael Davids – Minneapolis, MNAnthony […]

The Guts of Mushroom

Professor Lyon wrote Mushroom in Perl, a language developed in the late 1980s by Larry Wall, and a common choice for programmers who want to coordinate many different systems at the same time. When Lyon first became “seriously involved” with computer music in 1985, he wrote in C, but he started looking at Perl in […]

Mushroom

Eric LyonPhoto by Paul Herman Reller “Mushroom is a more extreme form of an approach I’ve always used in digital music – to make the computer do as much dull mechanical work as possible so I have more time to do flashy compositional work,” explained Dartmouth Assistant Professor Eric Lyon. “One of the nice things […]

Athena

Christopher ArizaPhoto by A. Ariza In the fall of 1999, Christopher Ariza enrolled in a computer music course at NYU taught by Dr. Elizabeth Hoffman. The primary objective of the course was for the students to become familiar with two common computer music programs: Csound and Max. Ariza focused his time on developing algorithmic compositional […]

1st Music 18 Commission Winners

Emily Doolittle Princeton doctoral student Emily Doolittle recently finished a set of three commissioned pieces for Tafelmusik. One piece, for the full ensemble, is called green notes; another, for just the string section, is called falling still; a third, for viola d’amore and soprano, is called Virelais. After the three pieces are performed at the […]

Judith Lang Zaimont

Judith Lang ZaimontPhoto courtesy of the composer Tennessee native Judith Lang Zaimont submitted a work entitled Impronta Digitale, an eight and a half minute perpetuum mobile in shifting compound meters. The tempo of the piece is marked 192 to the dotted eighth: “extremely fast,” according to the composer. A running pulse is interrupted only twice […]