John ShiurbaPhoto courtesy John Shiurba Ahh, the great divide, oh to be forever clumsily straddling the great divide. My music not only exists precisely on that divide, but seems to be more or less about being there. I’ve lost track of how many times I’ve heard comments like your stuff is too rock for the […]
Erik HoverstenPhoto courtesy Erik Hoversten Despite the “classical” training we may have, all of us in Threnody Ensemble spent our formative years playing in bands. The music we make now is inextricably linked to popular music. But because we record for a “new music” label and write pieces that surpass a certain threshold of complexity, […]
Neil Haverstick Ever since I was a young boy, stylistic classifications in music have meant absolutely nothing to me. At a young age, some of my favorite pieces were Ravel‘s Bolero, “Peggy Sue” (Buddy Holly), “El Paso” (Marty Robbins), “In The Mood” (Glenn Miller), “Charley Brown” (The Coasters), and Air On A G String (Bach). […]
Diamanda GalasPhoto by Tom Pitts I think it is, indeed, difficult to locate my music; and I have seen it under pop, opera, new music, new electronic music, blues, satanic music, noise, gothic, black metal, world music, and lysergic vampire vocals (in San Francisco). What unites all the music in the mind of its audience […]
David Borden (right) with Keith Emerson (left)Photo by Vivian Lee The classification of genres in the arts is, I suppose, necessary for both critics and historians. Mostly though, I find that marketing, the need to sell, more than anything encourages this subdividing into minute categories. Just go to the MP3 site and you’ll see what […]
Jason Gross and Steve SmithPhoto by Melissa Richard Much as it might bewilder major record companies and fundamentalist critics, rock isn’t only background music for TV commercials and cherished momentos for teenybopper spend-a-thons. It’s a lot more (and a lot less). About five years after Elvis started strumming “That’s Alright Mama” for Sam Philips, Buddy […]
More probably than any component of NewMusicBox, SoundTracks inevitably reflects the diversity and ultimately uncategorizability of the music being created by American composers. Whereas each issue of NewMusicBox looks at a specific, albeit different, aspect of American music, SoundTracks always aims to be a reflection of what is being released on CD right now without […]
When classmates told me that the Clash were revolutionaries, I told them to check out pieces like Fontana Mix or It’s Gonna Rain and hear what revolution really sounded like.
Diamanda Galas“…I think my performances, as independent as they may be from each other, allow me to reside, musically, under my own name…” Neil Haverstick“Ever since I was a young boy, stylistic classifications in music have meant absolutely nothing to me…” Erik Hoversten“…The most innovative music, after all, does not fit into any pre-designated categories…” […]
Guitarist Gary Lucas has been one of the most in-demand in the realm of experimental rock for decades. Perhaps best known for his stint with Captain Beefheart and the Magic Band, Lucas was also the electric guitarist for the European premiere of Leonard Bernstein’s Mass. Lucas talks about Beefheart and Lenny as well as his numerous fascinating solo projects.