Is Serialism Still Relevant? Dan Welcher

Dan WelcherPhoto courtesy the Theodore Presser Company Like most US-trained composers my age, I was “forced” to learn serialism in graduate school. And, like most of my colleagues, I was also told that this was the only way to be taken seriously as a composer (this was in the early seventies). But unlike many of […]

Copying Assistance Program Awards $20,300 to Composers

Sixteen American composers have been awarded grants totaling $20,300 through the American Music Center‘s Margaret Fairbank Jory Copying Assistance Program (CAP). The awards go directly to the composers, ranging in age from 26 to 92, to assist in the production of materials for the premiere performance of their proposed large-scale work (four or more performers). […]

Is Serialism Still Relevant? Donald Erb

Donald ErbPhoto by Janet Century, courtesy the Theodore Presser Company No one could have had a more complete exposure to serialism than I did as a student of Marcel Dick. Marcel was a student of Schoenberg who played viola in the Kolisch Quartet, and often performed the music of Schoenberg and Webern as part of […]

Florida Philharmonic Throws New Music Overboard Trying to Save Ship

New music left in the wake of Florida Philharmonic revampPhoto by Ian Britton A program to present new music to Florida residents has become a casualty of the financial crunch facing the Florida Philharmonic. The orchestra has cancelled its Brief Encounters, a concept (credited to Music Director James Judd who has since resigned) that was […]

Is Serialism Still Relevant? Erik Schaepers

Erik SchaepersPhoto by Edi Portmann On “Historic Necessity” “My invention of twelve-tone music will guarantee the supremacy of German music for the next hundred years,” said Arnold Schoenberg after developing his concept of what is now commonly known as atonal music. The claim itself represents an intellectual misconception, which may, for the sake of brevity, […]

Music America Needs Now

Do audiences need to be protected from provocative art?Picasso: Mère et Enfant, 1902. In the current social and political climate, what kind of art do audiences need? And what’s more, who should be deciding what they should see or what they can handle? That delicate question has been falling on presenters, conductors, and executive directors […]

Is Serialism Still Relevant? Victoria Bond

Victoria BondPhoto courtesy Victoria Bond Out of the Serial Box The question, “Is serialism still relevant?” deserves attention. There was a time in the not-too-distant past when such a question would seem frivolous, when 12-tone was the accepted contemporary language, and anyone who wrote tonal music was considered hopelessly retarded. However, today we live in […]

View From Eastman: Good News, Bad News, Hopeful News, a Challenge

James UndercoflerPhoto by Laurie Beck Tarver [Ed. Note: This article, originally given as the 2000 Convocation Address at the Eastman School of Music, is reprinted with the permission of the author from the Spring 2001 edition of Eastman Notes.] The good news is that people are participating in music more than ever. And we have […]

View From the West: The Next Big Thing

Dean SuzukiPhoto by Ryan Suzuki We appear to be due for a new musical style to make itself known. It has been a long time since the last ‘big thing’ in music, and I have been waiting for the next big thing to come down the pike, whatever it might be. Major upheavals in musical […]

View From the East: Abstract Atonality

Greg Sandow A while ago I annoyed some readers by comparing atonal music to abstract art. I’d thought that the comparison was a cliché in conversations about 20th-century culture, but the readers I annoyed didn’t see it that way. They thought I’d called atonal music a dirty name, as if I’d said atonal music was […]