Composer Mark Adamo begins work on a new opera based on an old storyPhoto by Christian Steiner, Mark Adamo has been getting a lot of press lately. Still coming down from the success of his first opera, Little Women (recently broadcast on PBS’s Great Performances and released commercially on the Ondine label in late August), […]
Joshua CohenPhoto courtesy Joshua Cohen To intermingle the orchestra with electronic sound or not to intermingle is not the question. At least not the question that interests me. The discussion may better be framed in the context of compositional choices rather than aesthetic territory. Any composition is the result of choices made; at any level […]
A mirror reflects the “performers”, who are also the audience in Levin’s DialtonesPhoto courtesy When the cell phones started ringing during a performance at an electronic arts festival in Linz, Austria, the conductor didn’t storm off the stage in a rage. He was the one making the calls. “Dialtones: A Telesymphony,” was given it’s premiere […]
Alvin LucierPhoto by Amanda Lucier Composers have traditionally mixed electronic sounds with instrumental ones to extend the range of timbres and textures available to them and to dramatize the differences between the “human” and the “technological.” Often the sounds of one seem to grow out of the other, causing a confusion of identities which creates […]
San Francisco Jazz Festival Founder and Executive Director, Randall KlinePhoto courtesy of SFJAZ At the end of the month, SFJAZZ kicks off its 19th annual San Francisco Jazz Festival, presenting a range of live performances from classic jazz to the avant-garde, tributes to legendary artists, and premiere performances of specially commissioned works. The festival performances […]
Laurie SpiegelPhoto by Joel Chadabe, courtesy Laurie Spiegel Certainly the two media coexist extremely well, because they are complementary in many aspects of compositional process, realized result, socio-economics of availability, presentation venue, etc. If you have an orchestra, why would you need electronic sound sources? To do whatever an orchestra can’t, because by now they […]
As the academic year gets underway, it serves as a time of reflection for those who are teaching the next generation of musicians and especially composers.
Greg Sandow In the wake of our disaster, I want to ask why music moves us so much. “Music is the nutrition of the soul,” I heard Zarin Mehta say about a week after the events as he introduced a memorial performance of the Brahms Requiem by the New York Philharmonic. “Music is the soul […]
Elliott SchwartzPhoto courtesy Ohio State Universi The launch of the American Symphony Orchestra’s “Orchestra Tech” Initiative this October seems an appropriate occasion to survey the history of American music for orchestra and electronics. Before beginning, however, we need to define our terms and set boundaries. Specifically, three words–“American,” “electronic” and “orchestra”–can be, and have been, […]
Whether it is the bleeping, crunchy, ethereal sounds created using computers, traditional instruments being stretched to create exciting new harmonics, or simply the ability to hear music from distant parts of the world, contemporary composers and listeners alike have made extensive use of these new sound “machines” to expand our aural capacity.