Amy DenioPhoto courtesy Amy Denio I have been playing and listening to new music around the world for the past 15 years and have come across hundreds of different venues and situations for listening, all of which offer unique advantages and problems for both the player and the listener. For music involving purely acoustic instruments, […]
Sarah RothenbergPhoto by Christian Steiner Over the years I’ve noticed that the space in which one plays new music can have a big effect on how the audience responds. Of course, some of this may be due to the fact that certain spaces attract certain audiences, and if I add that some of my favorite […]
Orlando Jacinto GarciaPhoto by Rafael Salazar As we enter the next century the music world can seem a bit confusing. Twenty-five years ago what was considered the Western Art music canon consisted of music from either Antiquity or the Renaissance through the Baroque, Classical, Romantic, and into the 20th century. The music called by many […]
Thaddeus Squire Where are the venues for new music in Philadelphia? Good question. To discuss the lack of venues for the contemporary performing arts in Philadelphia at the moment is—literally—a monumental irony. December 15 marks the opening of the Regional Performing Arts Center (a.k.a. RPAC—no relation to NJPAC), Philadelphia’s newest, largest, most anticipated, celebrated, and […]
Dean SuzukiPhoto by Ryan Suzuki I would like to suggest that we may have a skewed notion of the criteria for what it good or great in the music and the arts. Guided by our Western philosophies, aesthetics, and sensibilities, many of us have decided (or someone has decided for us) that great music, great […]
Greg Sandow A while ago I saw a Godard film, one of his later ones, Soigne ta droite from 1986, which like all Godard’s later films isn’t easy to understand. It’s even hard to say what it’s about, which doubtless means the question doesn’t apply, or at least doesn’t apply in any normal way. The […]
Photo by Melissa Richard A few months ago, I took a friend who was into electronica and obscure indie-rock to a new music concert at Carnegie Hall, naively convinced that I was opening his eyes to a whole wide world he never knew existed but would embrace immediately as the most cutting-edge music he had […]
Sarah Rothenberg, Amy Denio, Mary Jane Leach, and Phil Kline debate.