Katherine M. ShaoPhoto by Susan Scott, courtesy of American Baroque American Baroque’s adventures in new music began close to home. Our viola da gamba player, Roy Whelden, is a fine composer, and we were lucky to count a couple of other composers among our friends. After that, we had to start looking a bit further […]
Larry OchsPhoto by Dennis Letbetter, courtesy of the Rova Saxophone Quartet Rova got going in 1978 … seems like a million years ago …. And our unstated but definite goal was to create a group voice like no one else’s. As a result, we wrote all our own music with the goal of having each […]
William AndersonPhoto courtesy of William Anderson The first and foremost reason for the success of Cygnus’ adventurous programs is that all of the six core members (Tara Helen O’Connor, flute; Jacqueline Carrasco, violin; Susannah Chapman, ‘cello; Jacqueline Leclair, oboe; Oren Fader and William Anderson, plucked strings) have input in our programming. Each player has unique […]
Since eighth blackbird is essentially a cover band, we are completely dependent on composers to keep our sound, our passion, our concretizing experiences alive. So finding the right composers, people excited about what we do who are saying something in a way we haven’t heard before, is critical to our career. Two methods of connecting […]
The very expression “chamber music” designates music that is site specific more than anything else.
Frederick KaimannPhoto by Melissa Richard Entering history on the ground floor is an exciting thing, but over time new floors get added beneath as you’re jacked high above the street where you entered. Eventually the hot dog vendors and beggars forget what you look like even if you’re, say, ridiculously fat. So it goes with […]
Matthew Albert“…Two methods of connecting with composers have worked extremely well for us so far: new music festivals and the Internet…” William Anderson“…We meet composers through our work with Cygnus, and also through our freelance work in New York and elsewhere…” Larry Ochs“…we took a tip from Kronos, went non-profit, and started finding money to […]
Joan JeanrenaudPhoto by Marion Ettinger, courtesy New Albion Records Joan Jeanrenaud talks with NewMusicBox editor Frank J. Oteri at her home in San Francisco, CA, about her unusual post-Kronos career Friday, November 9, 2000 Transcribed by Lisa Kang The Role of the Performer The Electric Cello Standard Cello Repertoire and String Quartet Repertoire A Collaboration-Oriented […]
Maybe wherever you are—listening, composing, performing, writing and talking about it—is the center of American music.
William Butler Yeats, one of the richest and deepest poets to ever write in the English language, is said to have requested only three words for his tombstone, “Horseman, ride by!” His odd request, I believe, was meant to indicate that though a human life is rich and deep, once gone, it is a disservice […]