Dean SuzukiPhoto by Ryan Suzuki That the West is a haven for musical iconoclasts and has a dynamic new music community is made manifest when one takes a close look at some of the activities of musicians as well as the organizations which support, present and otherwise champion contemporary work. The San Francisco Bay Area […]
Thoughts on composing operas.
There is much to learn from all of the world’s musical traditions.
Terry RileyDrawing by Melissa Richard Terry Riley in conversation with Frank J. Oteri@ the Wortham Theater Center, Houston, TX February 16, 2001 Transcribed by Julia Lu Earliest Musical Experiences Studying Composition and Discovering Jazz The Birth of Minimalism and In C Studying Indian Music Solo Keyboard Improvisations Just Intonation String Quartets & Other Chamber Music […]
Iris BrooksPhoto by Kevin Misevis, courtesy Iris Brooks As both a musician and writer I have been drawn to Asia like a magnet for many years. It is not merely the exotic sounds of the hypnotic instruments that lure me in, but a more all-pervasive aesthetic, incorporating space and grace in the sounds and intent […]
For various periods of time since high school, I have found myself trying to “be” Asian, as silly as that may sound. I suppose that having grown up “above average” (to use Garrison Keillor’s words) and white in the ‘burbs, there is nothing unusual about that; many of my closest friends have been (and continue […]
Obo Addy“…There are some people who just learn a couple of phrases from somebody and then start telling people that they are playing Ghanaian music…” Ali Akbar Khan“In the history of America, people never had a chance to learn or hear Indian music, so this has been a completely new thing for them…” Jin Hi […]
Back in the September 2000 issue of NewMusicBox (not yet, as of this writing, converted to the archive), under Hymn & Fuguing Tune, we had a thread going called ‘What Makes You Attend A Concert,’ which was kind of a prelude to the ‘Iz You In Napster?’ thread. (The old thread is still on the […]
Over the years, I’ve been fortunate to have long-term partnerships with several outstanding orchestral conductors who have commissioned, performed and recorded my music. This has had a profound influence on my work. Several of my best pieces are for orchestra. And I think in essentially orchestral colors and textures. Still, lately I’ve been moving away […]
Nick Didkovsky demonstrates Hell CafePhoto courtesy of the composer Hell Cafe is constructed in a hierarchy. On the bottom level of the hierarchy are sound samples, pre-recorded using a drum machine and live musicians: Tyrone Henderson (voice), Anne LaBerge (flute), and Didkovsky himself (electric guitar). These pre-recorded samples were stored as .wav or .aiff files […]