RECENT ARTICLES
Soundtracks: August 2000
August 1, 2000 / By

It was not by editorial design, but rather a reflection of the current state of new music in this country, that in a month where NewMusicBox focuses on funding for New Music, almost every recording …

Earning Interest for New Music
August 1, 2000 / By

Frank J. OteriPhoto by Melissa Richard

As one of many American composers who has yet to make a living from composing music, I am simultaneously perplexed and humbled by the economics of music making in …

What are the most important concerns for philanthropy in new music?
August 1, 2000 / By

Thomas BucknerOpen up the System: “Instead of having only a few giant organizations, we should spread the power around…”

June HechingerFocus on American Composers: “As American citizens, we felt it was important to focus on American …

The Many Views of Betty Freeman
August 1, 2000 / By
The Many Views of Betty Freeman

Photographer and patron Betty Freeman, who has been something of a Nadezhda von Meck to composers ranging from Harry Partch and John Cage to La Monte Young and Kaija Saariaho as well as numerous visual artists, talks about what music she funds and why.

Maybe it is all Rock ‘n Roll
July 1, 2000 / By

Young musicians and listeners today are increasingly sophisticated and open-eared. They don’t care much about what music is called. They care about how it sounds.

Hovhaness’ submission to the AMC Biographical Survey (1949)
July 1, 2000 / By

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Composer Alan Hovhaness Dies at 89
July 1, 2000 / By

Alan HovhanessPhoto courtesy of C.F. Peters

Alan Hovhaness, a prolific composer who melded Western and Asian musical genres, died in Seattle on June 21, 2000. He was 89 and had suffered from a severe …

Where do you think that your music fits on the classical-popular divide? Why? John Shiurba
July 1, 2000 / By

John ShiurbaPhoto courtesy John Shiurba

Ahh, the great divide, oh to be forever clumsily straddling the great divide. My music not only exists precisely on that divide, but seems to be more or less …

Where do you think that your music fits on the classical-popular divide? Why? Erik Hoversten
July 1, 2000 / By

Erik HoverstenPhoto courtesy Erik Hoversten

Despite the “classical” training we may have, all of us in Threnody Ensemble spent our formative years playing in bands. The music we make now is inextricably linked to …

Where do you think that your music fits on the classical-popular divide? Why? Neil Haverstick
July 1, 2000 / By

Neil Haverstick

Ever since I was a young boy, stylistic classifications in music have meant absolutely nothing to me. At a young age, some of my favorite pieces were Ravel‘s Bolero, “Peggy Sue” (Buddy …