View From the East: What Progress?

Greg Sandow Not long ago, I was writing about serialism and made an all too common mistake. I was trying to explain—to people who don’t know much about music—how serial writing got popular among composers in the ’50s. But which composers? “Advanced composers,” I wrote innocently enough, meaning only to say that not all composers […]

To What Degree: Teaching Musical Composition

Year after year and in ever-increasing numbers, eager young musicians seek admission to graduate and undergraduate composition programs. What attracts them to a pursuit that promises hard work, a decent amount of frustration, and limited financial rewards?

What is “like”?

recordstore

I encourage all of you to check out the great crop of new releases featured this month, take a listen, and figure out which ones speak to you.

You’ve Got To Be Carefully Taught

Frank J. OteriPhoto by Melissa Richard The first orchestral music recording I ever bought was a used flea market LP of the Bartók Concerto for Orchestra, a great American classic by an émigré who believed that musical composition could not be taught. But I, like many others, have learned so much from that piece. I […]

What are the pros & woes of being a self-taught composer?

Kay Gardner“I created my first composition for piano at age four, and by eighteen I’d composed a full-length musical, but I never thought of myself as a composer, so I didn’t study composition when I went to music school…” Woody Woods“For me, writing music became a passion while I was still in junior high school. […]

Bang On A Can E-Fest Underscores People’s Commissioning Event

Ever wonder about the people who can commission an entire piece of new music? Ever want to be one? Once again, the members of Bang On A Can are demonstrating their dedication to development and innovation in the new music community through their People’s Commissioning Fund project. In a field facing ever-decreasing financial support for […]

Webcasting Royalty Rate Debate Heats Up

With only 26 days left to go, the debate over webcasting royalty rates is heating up on both sides. The Librarian of Congress, James Billington, has until May 21 to accept or reject CARP’s recommended webcasting royalty rates…

PROFILE: Phyllis Curtin

Molly Sheridan: What attracted you to doing so much work in modern repertoire as opposed to specializing in something else? Phyllis Curtin: Well, I think it started when I was first out of college. I graduated from Wellesley in 1943. I was living in Cambridge and working and I knew a variety of composers who […]