Carlene HutchinsPhoto courtesy the National Music Museum I never intended to get into instrument building; I was only going to make one instrument for myself to play. I wanted to play in a chamber group with my friends at the Brearley School where I teaching science at the time. The trumpet that I played all […]
Greg Sandow In “Girl from the North Country,” the second track on The Freewheelin’ Bob Dylan (his second album), there’s an arresting moment. The song’s about to end, and Dylan, playing guitar and putting his harmonica to his mouth, squeezes out a high B flat and holds it over two chords it doesn’t go with […]
Robert Moog, Carlene Hutchins, C.F. Martin IV, Ed Kottick, David Monette, and Charles Ruffino offer some thoughts.
The relationship between tools and language.
I met Harry Partch when I was cast to sing a role in his opera Delusion of the Fury. The performances were held at Royce Hall on the campus of UCLA, and singers and instrumentalists were in the pit, though visible from the audience. Dancers and actors were above us on the stage. I was […]
Ed. Note: July 31, 2003 — A joint statement was issued today by New York City Cultural Affairs Commissioner Kate D. Levin and NYC Schools Chancellor Joel I. Klein in response to a New York Times report on Wednesday, July 23, 2003 stating that in order to meet new core requirements for literacy and math […]
Throughout her lifetime, Rose Heller (known as “Red”) and her husband Ernest “Pick” Heller demonstrated a true love and commitment to the work of living artists and composers. Mrs. Heller served on the boards of the American Music Center, The League of Composers/ISCM, and the MacDowell Colony, as well as the awards committee for the Poses Creative Arts Awards at Brandeis University.
Widow of composer Earle Brown shares her personal memories of one of the most fascinating women of the 20th century, who happened to have a passion for contemporary music.