Easley Blackwood For me, the greatest stimulation regarding a new work is the assurance of a competent performance. An old friend who is a genuine music lover has recently asked me to compose a setting of the Magnificat for four-part unaccompanied chorus. There are many settings of the Magnificat, going back to the 15th century, […]
Greg Sandow Well, of course they do play it—and in fact, from what I’ve picked up in the orchestra world, they play more of it than some of their marketing directors might like. Some orchestras even play a lot of it…well, a fair amount anyway, especially if you count as "new music" anything written since […]
Easley Blackwood, Tina Davidson, Jon Jang, and Carl Stone discuss.
The current state of choral music in America