No one can doubt that music has a big role to play in the world of political protest. The controversial musicians we read about in the papers, though, are mostly from the pop and folk genres. It’s not only that those musicians are more visible, though that’s certainly true as well. Classical music and jazz seem to have a more long-term, measured, even sublimated approach to political protest, slower to react and more deeply embedded in the structure of the music itself.
Don Byron I think politics and romance are really the only things that count in my life. I despise “acoustic folk music” as music, but I always liked the “stance” of the folk singers like Pete Seeger and Arlo Guthrie. When I took the photos for the cover of my first album, Tuskegee Experiments, I […]
Greg Sandow We might wish that music spoke for itself, and that we didn’t need special genre names to identify it. But that’s not how the world works. You ask someone what music they like. “Jazz,” they say, and you know what they mean, and whether you like jazz, too. So if they want you […]
Though jazz musicians might seem an unlikely topic for statistical study, the National Endowment for the Arts has released just that—a three-volume report titled “Changing the Beat: A Study of the Worklife of Jazz Musicians” is available for free download. The first volume, released last January, includes an executive summary providing report highlights. The study […]
If you need a warm up before the Democratic primary, you still have a few days left to vote for your favorite of the six compositions that have made it to the final round of the 2003 Masterprize competition. For those who find themselves frequently disagreeing with the new music cognoscenti who program concerts and […]
His proposal to write a concertino for trumpet earned him a $20,000 cash prize.
If you’re in the Twin Cities tomorrow, you might want to drop by Orchestra Hall and spend the afternoon with John Corigliano. He’ll be on hand to meet with area composers and composition students at an open rehearsal of his Mr. Tambourine Man: Seven Poems for Bob Dylan, and will host a roundtable discussion later […]
Hollis Headrick When Hollis Headrick catches a moment to speak with me, he is in especially high spirits despite the chaos of transitioning to the directorship of the Weill Music Institute, a newly created position at Carnegie Hall he’ll start fulltime in mid-December, while phasing out his work as Executive Director of the Center for […]