What to Ware? A Guide to Today’s Technological Wardrobe

Circuitry for Salvage

Significant features distinguish software from hardware in terms of their apparent (or at least perceived) suitability for specific musical tasks, and this has an often-unremarked influence on musical processes. Nic Collins draws out some illuminating distinctions.

Choosing the Three-Letter Response Over the Two-Letter One

The concert at the Congregation Shaar Hashomayim showing the members of the orchestra in front of a film projection and the audience.

There was a very distinct point at the beginning of my composing career when a decision changed absolutely everything for me. My future would take time to pan out, of course, but at the moment when I chose the three-letter response instead of the two-letter one, an entirely new career path was set into motion.

Missy Mazzoli: Communication, Intimacy, and Vulnerability

Missy Mazzoli in her composition studio.

Whether she is writing for orchestra, chorus, solo piano, an opera, or her own indie-rock inspired chamber ensemble Victoire, Missy Mazzoli is still “asking the same questions” and “finding different answers to the question of how to bring an intimate, vulnerable, human experience to a situation.”

The Case for Radio

Car Stereo

How do you define radio in this day and age of digital platforms? If you were in charge of a new music radio show, 24/7 stream, or podcast, what would you include?

Why Pastiche Has Taken Over Music

Pastiche

Just look at the names: new complexity, neo-romanticism, post-minimalism—three of the broadest trends in contemporary music, all with echoes of pastiche baked right into their labels. Clearly artists have always taken ideas and materials from other sources—how could we not?—but never before have we so celebrated the attribution of those sources.

Songs by David Lang and J. Ralph Denied Oscar Performance

David Lang and J. Ralph

During a year in which the Oscars have received strong criticism for their lack of diversity, this seems an especially odd move–not only in terms of the music itself, but also when considering that it means the absence of Korean soprano Sumi Jo and transgender performer ANOHNI.

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