The Live in HD transmission of The Death of Klinghoffer has been cancelled after concerns were raised that the Metropolitan Opera’s plans to transmit the opera might be used to fan global anti-Semitism. Adams describes the decision as “deeply regrettable” saying it “goes far beyond issues of artistic freedom, and ends in promoting the same kind of intolerance that the opera’s detractors claim to be preventing.”
Unraveled features works written for the group through their ongoing commissioning project. The album is filled from stem to stern with tight writing by young composers, and the spectacular playing engages both intellect and emotion throughout.
Neil Young Cloaca is an irrepressible showman. Bromp Treb is an opportunity for him to apply that carnival-barker enthusiasm to a table full of mismatched gear. Cloaca circled the table, triggering highly distorted samples while playing up theatrical befuddlement, as if he was trying to decipher a recalcitrant machine—or defuse an eccentric bomb.
Poor attendance at a new music concert is nothing out of the ordinary. However, one of my best-attended concerts featured what was arguably some of the most abstract and adventurous programming that I have placed on Fresno New Music’s calendar.
Last week amounted to a floodgate of new music being opened: from a few new subscription-series pieces per season from major figures and some encouragement to young talent by way of CONTACT! commissions, the Philharmonic and partners performed well over 60 pieces from composers of all stages and many walks of life.
There is freedom in the holes. The holes remind you that the universe is still expanding, the world is still a work in progress, and there is space for your own contributions.
Lee Hyla (1952-2014) was the “Alpha Composer”—charismatic, at the center of things. Not only composers, but jazz musicians and creative improvisers revered him, his creative energy was infectious. Everybody wanted a part of it, and he was happy to oblige.
Kevin Puts, whose contract extends for three seasons, will begin planning for the next Composer Institute, which will be held in January 2015.
Elodie Lauten (1950-2014) loved and respected music as a spiritual force and, with the wisdom of a sage, passionately instilled in others its importance, power, and significance. Using music, she nobly changed lives; there is no greater compliment.
New music proponents are uniquely qualified to stop worrying about the Major Symphony Orchestra in favor of much more productive—and yes, more American—channels.