Thank You For Your Reply

Area blocked off by masking tape with the words "Polite Line"

Music people, in general, have always seemed to possess a higher level of character and integrity in pursuit of a particular calling. But it seems that now, even in the new music world where we are all essentially in the same boat, so-called professional courtesy is no longer a given.

Why I Make Music

Nick Norton's desk

When Nick Norton tells people he’s a composer, the conversation usually turns to the music itself. The one question that no one ever seems to ask, however, is “why?”

Paul Dresher: Intense Beauty, Visceral Energy, and Sonic Curiosity

Paul Dresher

Paul Dresher has done work in at least three distinct musical streams with equal vigor and equally significant results. But whether he’s creating a fully notated piece of post-minimalist chamber music, a poly-stylistic score for an intense musical theater work, or an idiosyncratic experiment for one-of-a kind instruments of his own design, he’s always operating with the same basic assumptions about his audience.

Poultry Jam: A Chicago Thanksgiving Playlist

Thanksgiving Turkey

Ah, Thanksgiving: a holiday as rich in calories as it is in cultural significance. What’s the proper soundtrack for a day that means so many different things? Why not canvas the work of Chicago composers for music that’s as complex as Turkey Day?

Classical Music Has Open Data Sets?

The chart from

In open data sets, Suby Raman found a lot of really interesting stories to tell about the performing arts. Because he’s a composer, he knew what to look for in the data and what would matter to people. Because he’s a programmer, he knew how to handle the big data set itself.

The Art of Doubting Myself

out of your head

If I write music that both satisfies and excites me, and is music that I want to hear, and I’m being honest about all of that, then I’m good. Anything beyond that is a lucky perk, and anything less than that can be worked on until it’s up to snuff in my musical worldview.

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