Jim’s own music exemplified human oddity. It certainly did not aspire to impress or even express; it revealed. He was way out there. But Jim didn’t just get washed up on these exotic shores for lack of ability to navigate the waters around the mainland. He chose to make music a rare and deep experience.
Although composers are always constructing new sonic worlds, Bora Yoon is super-charging that idea through her multimedia and site-specific works. Her performances create immersive environments that, as she puts it, “transport people somewhere, and return them, hopefully changed from the experience.”
The Live in HD transmission of The Death of Klinghoffer has been cancelled after concerns were raised that the Metropolitan Opera’s plans to transmit the opera might be used to fan global anti-Semitism. Adams describes the decision as “deeply regrettable” saying it “goes far beyond issues of artistic freedom, and ends in promoting the same kind of intolerance that the opera’s detractors claim to be preventing.”
Neil Young Cloaca is an irrepressible showman. Bromp Treb is an opportunity for him to apply that carnival-barker enthusiasm to a table full of mismatched gear. Cloaca circled the table, triggering highly distorted samples while playing up theatrical befuddlement, as if he was trying to decipher a recalcitrant machine—or defuse an eccentric bomb.
Last week amounted to a floodgate of new music being opened: from a few new subscription-series pieces per season from major figures and some encouragement to young talent by way of CONTACT! commissions, the Philharmonic and partners performed well over 60 pieces from composers of all stages and many walks of life.