Deborah helped many composers and performers through her work as a consultant and at the American Music Center, Concert Artists Guild, and the American Composers Alliance. But she was much more than an administrator. Her librettos included Under the Double Moon, a collaboration with composer Anthony Davis, and Mary Shelley, which she created in partnership with the composer Allan Jaffe.
The whys and hows of romancing your fans and serving your ticket buyers.
In C, Taylor Swift, and Cultural Canonization: A reflection in 53 phrases.
More than 130 music creators were honored during the 2014 ASCAP Foundation Awards, including John Corigliano who received the first-ever ASCAP Foundation Masters Award.
When I was 16, Mark was like the big brother I never had. He was always a little larger than life. I had my first beer with him, my first cigarette. We’d stay up half the night on Fridays and Saturdays listening to Elliott Carter or Alban Berg’s Lyric Suite after having played quartets until we dropped.
In its early days at least, the net served as globalization’s ideological model. That ideology spilled over into the first experiments in net-art and net-music.
The banjo’s timbre cuts to some of the deepest seams of America’s past. To a number of contemporary banjo players and composers, the well of history and associations surrounding the banjo becomes a musical parameter to be bent, subverted, or used to evoke a particular landscape or time.
Does the new music performance belong to the performer, the audience, or both? Both points of view, though conflicting, are necessary to uplift the other party and elevate both the artistic achievement and commercial viability of our community.
Sharpen your pencils, voting Recording Academy members. Nods were given to…
I sometimes wonder if, several decades from now, people will look back on the current era of new music and characterize it in terms not far removed from tourism.