Why Not Include the Bird—Tudorfest, 1964

The cover of the CD booklet for New World Records' Tudorfest featuring a photo of David Tudor wearing a jacket and tie

The San Francisco Tape Music Center’s 1964 Tudorfest was more than what you could read in the reviews. It was more than its success. It was a scramble, a stretch, a compromise—the usual behind-the-scenes madness.

Digital to Analog: Plug and Play

Advertisement ca. 1899 (via the Library of Congress).

It is the history of music, forever communicating—what, exactly? But forever communicating, nonetheless, even as the message gets hopelessly lost in the translation to music. And it’s not a bug; it’s a feature.

Biting Breaks: Sampling and Ownership

sample break

I make sample-based music because I feel like it’s more worthwhile to identify existing sounds that have been overlooked, to bring them to fresh ears, and to give them fresh meaning in new contexts.

Go Tell It To The Choir—A Report from ACDA

ACDATeaser

Last week’s gathering of the American Choral Directors Association in Salt Lake City, Utah was one of the largest national music conventions ever held in the United States. Thanks to a newly added composer track at this biennial conference and a greater emphasis on new music, there were also tons of composers and new music aficionados there.

Getting the Point

trumpet

The power of making music is found in the accretion of work and thought we put in over a lifetime, not single moments of inspiration.

Remembering Tom McKinley (1938-2015): A Personal Reflection

Photo of McKinley wearing a tie and holding a score

William Thomas McKinley was a true American original and, to my knowledge, the first American classical composer who was also a major post-bop jazz pianist. He abolished this duality and saw creative music from a perspective of higher unity. Tom demonstrated how, musically and spiritually, one could embrace both—through notes, gestures, and at every imaginable level.

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