Brooklyn in Austin’s House

Brooklyn Rider

Providing great performances and cultural snapshots of Austin then and now, Copland and Mexico and Brooklyn Rider gave us an inside look into where we’ve been and where we’re going.

Juan Orrego-Salas: I’ve Written All I Have to Write

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Juan Orrego-Salas (b. 1919) is the last surviving member of a major group of mid-20th century American composers. He was a protégé of Aaron Copland, Randall Thompson, and Luigi Dallapiccola, and a personal friend of Irving Fine, Lukas Foss, and Pablo Neruda, among others. He also founded the Latin American Music Center. His is an important story in the annals of American music.

Phill Niblock & Elodie Lauten Receive Top FCA Awards

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The Foundation for Contemporary Arts announced the recipients of awards totalling $500,000: the biennial John Cage Award, the second Robert Rauschenberg Award, and 14 Grants to Artists awards in the disciplines of dance, music/sound, performance art/theatre, poetry, and visual arts.

New England’s Prospect: The Gift of Sound and Vision

Robert A. A. Lowe

Multimedia is a provocative tool to combat conformity, but hardly a foolproof one. Filmmaker/sound artist Ben Russell and musician Robert A. A. Lowe (a.k.a. Lichens) presented a joint show at Cambridge’s Middlesex Lounge, and that tension in the multimedia concept proved to be a running theme.

Goofing off, Perfected: Lessons from Fluxus

From Yoko Ono’s 1971 edition of Grapefruit

Fluxus and their Event Scores point to our human condition in a way that is wildly dynamic. The score is an invitation, a call to action, and first-hand study and performance of these scores would be healthy for any of us.

Jazz Audience Development: The Gender Factor

International Sweethearts of Rhythm

Casual observation of the audience for jazz reveals that it is predominantly male, which also reflects the average jazz band personnel. One wonders aloud whether consumers witnessing more women on the bandstand might ever translate to an increase in women in the jazz audience.

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