Winning the Lottery

Man Plays Lottery

Not everyone should be in “the business.” If rejection really hurts, opt out. I did for a few years when I started taking this all too seriously. Now I savor every application.

Composing Advocacy: Social Voices

Canticle

Most of us believe that we possess the power to make positive change in the world. Are we experiencing a resurgence in new music composed to highlight social equity? If so, why now?

Henry Threadgill wins 2016 Pulitzer Prize in Music

Henry Threadgill

In for a Penny, In for a Pound by Henry Threadgill (released on Pi Recordings on May 26, 2015) has been named the winner of the 2016 Pulitzer Prize in Music. In addition, Lin-Manuel Miranda’s musical Hamilton has been awarded the 2016 Pulizter Prize for Drama.

Loving the Lottery: Arts Funding for the Unfunded

Henry photostrip

During the funding application process you are doing something similar to what you do as an artist: Sending your gifts out into the world with little hope of recognition or remuneration. But you are not sending forth your art; instead you are launching a very elaborate lottery ticket into the world.

In The Absence of Money

cash-dream

When compensation takes the form of passion and satisfaction, instead of monetary remuneration, what is the impact on performance quality, commitment, and artistic freedom? If we could remove money from the equation by making sure artists get paid enough to do better than get by, what would that look like?

Roundtable: Facing the Hard Questions

Lisa Bielawa

Commissions are not always the best funding model. Some projects are more like entrepreneurial ventures, and as such, they require financial risk-taking and the willingness to take on fiscal as well as artistic accountability.

Roundtable: Let’s Make a List

Alex Shapiro

Money has nothing to do with the quality of anyone’s music. That said, for those who choose to put together a living from composing, there are myriad avenues for monetizing one’s output—which can offer both exciting opportunities and an overwhelming career equation to solve.

Roundtable: The Bonnie Jones Grant

Bonnie Jones

Why does it still seem novel when artists talk transparently about the money they make from art or other jobs? I wonder if talking about the very unsexy ways we make a living threatens some myth of the “serious artist”?

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