Brooklyn-based sound artist and composer Bernd Klug has turned the Austrian Cultural Forum in New York into a social musical instrument. His art installation, traces of [dis]location, spans three floors and uses the architectural structure of the building to create multiple points of engagement. traces of [dis]location runs until September 16 and is free and open to the public. […]
Here’s a situation that’s commonly misunderstood among creative collaborators: Jack and Jill agree to write a song together. They call it “Tumblin’ Down the Hill.” Jack writes the music and Jill writes the lyrics. Who owns what?
A provocative meditation on jazz, Western classical music, and the real power of being able to swing.
In advance of the release of her second full-length album Unremembered, Sarah Kirkland Snider opens up about integrating disparate influences, embracing deeply emotional content, and the process of developing her signature works.
Taking place January 7-9, 2016, at the Peabody Institute in Baltimore, the focus of this year’s meeting will be on “Communities.”
One side of the survivability equation is the caution-to-the-wind embrace of a personal vision, fearless of the consequences, no matter how impractical. The other side thinks outside of the individual and looks at the times.
Creative work in a time and place of crisis is essential to a community coping with tragedy and can become a necessary and powerful agent of change. If we truly believe that black lives matter, it’s essential that we commit to hearing what their voices have to say.
Some companies advertise the pieces we write for free as new commissions. I vote for an immediate end to this practice. By all means, call it a world premiere by the Next Important Composer of Our Time. Phrase it however you need to make it sound sexy and get butts in seats, but it is not a commission. It is unpaid labor from which others stand to gain.
The reputations of certain composers seem to be actually growing with time, even though conventional wisdom earlier on would have predicted just the opposite. They present one possible answer to the question of how music becomes “survivable.”
To conclude our first NewMusicBox LIVE! event, we invited Joan Tower to share her some of her acerbic wit and wisdom with us. Joining her to perform two of her dazzling virtuoso solo compositions were rising star violinist Bella Hristova and the iconic new music pianist Ursula Oppens.