How can artists serve the social good, create excellent work, and critique the system when it is the system which is actively eroding the social good and preventing them from accomplishing excellent work?
Earlier this month, we were all finally been able to see what Pluto looks like thanks to NASA’s New Horizons interplanetary space probe. Now, also thanks to NASA, we can all listen to the only album that has thus far physically traveled beyond Pluto–The Golden Record.
A World Wide Web Consortium Music Notation Community Group has been launched as the result of a partnership of MakeMusic, Steinberg, and Hal Leonard/Noteflight.
While campers experienced hiccups along the way, there was none of the insecurities, impostor syndrome, or existential angst that impairs so many young composers, including myself.
How did the sounds and rhythms of the earth influence the birth and growth of musical traditions? How does our experience of particular natural environments influence the music we make?
By combining data, algorithms, and sampled sounds, Brian Foo is using his computer programming skills to learn how to make music. In the process, he’s turning these raw materials into deeply engaging and memorable sonic experiences.
When working with campers, I had to learn to move beyond my own personal choices in order to honor the individuality of their creative and musical interests.
Everything we have in our civilization is grown or extracted from the living earth; we will never escape this truth. How this truth influences our creativity, and how creativity influences our capacity to live this truth is a pivotal question.
If you’re in the business of making and selling records, then streaming means your job has changed, and it’s not as simple as opting in or opting out. Whether you want to stream or not, things are different now. The one thing you mustn’t do is ignore it.
Chamber Music America has announced the recipients of its 2016 commissioning programs, supporting the creation of new works for small ensembles. CMA will distribute a total of $475,000 to 21 ensembles through two of its major grant programs: New Jazz Works, supported by the Doris Duke Charitable Foundation; and Classical Commissioning, supported by The Andrew W. Mellon Foundation.