I recently saw a huge banner on the side of one of Tallinn’s major shopping centers promoting an upcoming concert by the Estonian Philharmonic Chamber Choir featuring works by Carlo Gesualdo, Salvatore Sciarrino, György Ligeti, J.S. Bach, and a premiere by Helena Tulve. I have a hard time imagining a similar advertisement hanging on the Prudential Center in Boston.
For Daron Hagen, working on an opera is so immersive that his life can be fairly neatly divided into chapters corresponding to each of the operas he has written. Nowadays, even though he is principally concerned with being a father, opera continues to inspire him, in part because he sees parallels between writing opera and parenting.
Another exclusive new music-themed crossword created just for NewMusicBox readers! De-stress from the holiday crush and review the year that was…
It is absolutely reductive to think of music being solely either for the performer or for the audience. This is a both/and situation because we all get something different out of it. We are all there to play our own parts.
Rather than attempting a synthesis, Pamela Z’s music highlights—and perhaps even celebrates—difference. She presents identity as a matter of polyphony, sometimes between irreconcilable parts.
Thomson’s often-complex work is carefully designed and communicates powerfully in live performance without exhausting the audience. We chat with him off stage about how he navigates multiple projects and genres while keeping listeners on the edge of their seats.
Before we close the file on 2014, New Music USA staff members have chosen some of their favorite tracks from the past twelve months for this edition of the NewMusicBox Mix.
Deborah helped many composers and performers through her work as a consultant and at the American Music Center, Concert Artists Guild, and the American Composers Alliance. But she was much more than an administrator. Her librettos included Under the Double Moon, a collaboration with composer Anthony Davis, and Mary Shelley, which she created in partnership with the composer Allan Jaffe.
The whys and hows of romancing your fans and serving your ticket buyers.
In C, Taylor Swift, and Cultural Canonization: A reflection in 53 phrases.