Who is Creative Placemaking? New Music, Integrity, and Community

Who Is Creative Placemaking?

In the past four years, a new cash spigot has been cranked open for contemporary arts funding across the nation: Creative Placemaking. If current arts policy trends continue, then new music’s institutional vibrancy might depend on how it fits into this rubric, interfacing with communities on levels rarely considered in the past such as neighborhood pride, commercial impact, and livability.

Mary Rodgers (1931-2014): A Woman of Many Talents

MaryRodgersHeadshot

After having toiled in the fields of Golden Books, television, and commercials (my wife can still sing you her Prince Spaghetti TV jingle), Mary Rodgers’s first breakthrough work was Once Upon a Mattress. By the time I worked with her, she had pretty much pushed Mary the composer to the back burner. But there were several of us who didn’t think the composer should retire completely.

Sounds Heard: John Adams—City Noir / Saxophone Concerto

John Adams: City Noir / Saxophone Concerto

John Adams’s most recent album, released by Nonesuch, could essentially be seen as an exercise in nostalgia; City Noir, commissioned by the Los Angeles Philharmonic, is an homage to the city of Los Angeles and its movie-making style of the 1940s and ’50s, while the Saxophone Concerto gives a hat tip to Adams’s own jazz-steeped upbringing.

Of New Music and the 99%

Photo by Stacy Lanyon

Although I was always generically interested in music as labor, it was really my involvement with Occupy Wall Street that showed me what the contemporary struggles were in this field. I hope the NewMusicBox commenting community will join in on this conversation, so we can get an even greater sense of where these struggles for fairness and dignity are happening, and what we can do as a community to support them.

Truth in Advertising

Truth in Advertising

When I looked through the Metropolitan Opera’s 2014-15 brochure, I was saddened by their lack of other contemporary repertoire. Then I flipped through the pages of the new issue of OPERA America’s magazine and experienced something very different. Pages full of contemporary opera, American and otherwise. Quite a study in contrasts.

New Music USA Awards $311,000 to Artists

New Music USA(waveform)

New Music USA has awarded 57 projects in its second round of New Music USA project grants. We received 1,174 project requests this round. Those numbers are humbling, but also inspiring; these submissions only capture a glimpse of the overwhelming creativity resonating throughout the United States today.

Sounds Heard: George Heathco and Misha Penton—Ravens and Radishes

Ravens and Radishes cover WEB

The product of a collaboration between composer/guitarist George Heathco and soprano/lyricist Misha Penton, Ravens and Radishes is a song cycle for guitar, cello, and voice that takes inspiration from classic fairy tales and, unlike the recent film Maleficent, recasts them in a new and interesting light instead of, say, ruining them.

Pablo Ziegler: Making the Music Dance

Photo of Pablo Ziegler Outside his Apartment

Pablo Ziegler, who has been the de facto source for the interpretation of Piazzolla’s music for over twenty years, is an important composer of nuevo tango in his own right. Now based in Brooklyn (though he’s constantly traveling to perform all over the planet), Ziegler has a particularly strong affinity for improvisation and loves to mix tango and jazz.

Memories of Horace Silver (1928-2014)

HoraceSilver

Horace Silver (1928-2014) wrote great tunes that have a way of improving you harmonically and rhythmically if you play them frequently (or every night, in my case). He also liked very fast tempos, and if you weren’t on top of it you’d get rolled right over.

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