New England’s Prospect: Beyond the Sea

Matthew Ritchie's Monstrance/Remonstrance

Matthew Ritchie, currently in the midst of an 18-month stint as the Institute of Contemporary Art/Boston’s artist-in-residence, presented his collaborative piece Monstrance/Remonstrance with an impressive group of collaborators including Shara Worden, Bryce Dessner, Evan Ziporyn, and David Sheppard.

New Music’s Quality Problem

quality control

It seems like the entire audience problem debate stubbornly looks outward, asking questions about marketing, “outreach,” and accessibility, all the while carefully avoiding some seriously necessary self-examination. Instead of an audience problem, I think new music has a quality problem.

Let’s Get Critical

Popcorn

For as much as it stirs the pot when a “serious music” review mentions the soloist’s hem line, it turns out things get even more heated when pop goes under the cold lens of the theoretical magnifying glass.

Cataloging the Fail: A Cathartic Scrapbook

Composer Fail Example

Lately I’ve been reflecting more and more on how I’ve dealt with rejections and supposed failure as a young composer. Because I now teach at a small liberal arts college, I constantly see and interact with a sea of undergrads. And because of their presence, I am reminded of how I dealt with what I perceived as devastating defeat upon experiencing rejection.

Brooklyn in Austin’s House

Brooklyn Rider

Providing great performances and cultural snapshots of Austin then and now, Copland and Mexico and Brooklyn Rider gave us an inside look into where we’ve been and where we’re going.

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