While the findings of the National Center For Arts Research are encouraging for the state of the arts economy and their methodology is strong, the NCAR’s final analysis has no way to access an individual person who can exist in any or all of the categories they are attempting to study. I’m an administrator, but I’m also a composer, and an audience member, and a donor. It changes with the day, who I’m talking to, and where I’m standing.
In a world that increasingly relies on the economy of free, it’s important to establish that some things aren’t free, and in fact have an actual dollar value associated with them. I sincerely believe that we, as a society, can’t claim to value something—be it an object, a service, or our culture in general—if we refuse to ascribe an actual price to it or to some part of it.
Steve Reich is the first American composer to be awarded the BBVA Foundation Frontiers of Knowledge Award in the Contemporary Music category. The award, which comes with a cash prize of €400,000, has previously been awarded to Pierre Boulez, Salvatore Sciarrino, Helmut Lachenmann, and Cristóbal Halffter.
It is always a pleasure to encounter music that serves as a reminder of some basic creative ideas: that music is a physical thing, connected to the body and to breath; that simplicity is often the most satisfying option; that the present moment and all that it holds is important. All of these notions are present in composer Keeril Makan’s latest release on Mode Records, Afterglow.