Composers and performers today look to the media (whatever they think that might be) as a conduit between their art and the general public. As digital media and social networks continue to evolve, both the proximity and the fixed boundaries between creators and the media have been affected.
This is an era that rewards simple explanations, yet telling the often-complex stories of how non-superstar musicians make work while making a living is more important than ever.
To be a real leader, one must possess certain traits such as dignity, integrity, and a sense of fairness, all of which Clark Terry embodied. I personally feel blessed to have had the opportunity to be associated with Clark for more than 30 years.
Twenty performing artists will each receive $275,000 in flexible, multi-year funding as an investment in and celebration of their ongoing contributions to the fields of contemporary dance, theater, and jazz.
While my friends and colleagues were pursuing projects in concert, dance, opera, and other artistic mediums, I was meeting music producers for new commercial opportunities.
Seven composers have been selected for the 2015 Underwood New Music Readings which will take place on Wednesday, May 6 and Thursday, May 7, 2015 at the DiMenna Center for Classical Music in New York City.
At 87, Samuel Adler remains steadfast in his determination to preserve and build upon the Western classical tradition–as the composer of six symphonies, five operas, a dozen concertos, tons of sonatas, and ten string quartets (eight of which he still acknowledges), as well as a teacher for 63 years and the author of definitive tomes on orchestration, choral conducting, and sight singing.
Jazz is all about repurposing pop and folk material for new expressive ends, and the greats were remix artists before the term existed.
Selected from an application pool of more than 600 submissions, 28 young composers (plus an additional seven accorded honorable mention) will be recognized at the annual ASCAP Concert Music Awards at Merkin Concert Hall in New York on May 21, 2015. The award-winning composers share prizes of over $45,000.
Tod Dockstader’s electronic music composition, for most of his life, was always an avocation, something he did part-time, outside of his day job, earning him little income. Being an outsider without academic credentials, Tod was denied grants and access to the major electronic music centers. Yet fans of his music included Federico Fellini, and Pete Townshend.