Trying to Put On Those 2002 Glasses

2002_glasses

What music most appropriately captures the zeitgeist of 2002? Steve Reich’s Daniel Variations (created in response to the shocking February 2002 murder of Wall Street Journal’s South Asia Bureau Chief Daniel Pearl) was not composed until 2006, but another Reich work, his apocalyptic Three Tales (created in collaboration with Beryl Korot) immediately stands out in my mind.

Games Played: FRACT OSC

Sequencer puzzle

Described as a “musical exploration game inspired by synthesizers,” FRACT OSC places you in an abstract neon landscape somewhere between Myst and Tron, and the environment is peppered with various kinds of music-making machinery. You’re in a world literally made of sound.

The Odyssey of 2001

Amanda MacBlane

When looking back at 2001 for its musical significance, all I can say is that music is ultimately what kept us going when the events of September 11 unfolded in New York City.

Music and Place

A cloudy sky

It seems there are two ways to negotiate our complex, diverse, and global web of music-making: Either jockey the heck out of everything, as if it is all free gain, or retreat to the rooted, familial plane, and herd with your local community.

Partyin’ Like It’s 1999

FJO and Nathan Michel

One thing that hasn’t changed in all these years has been our goal to always be inclusive of the broadest range of music that could be considered “new” American music whether it was notated, improvised in a club, assembled in a studio, or found sound.

Dave Malloy: Singing for His Soul (Not His Supper)

Dave Malloy

Composer Dave Malloy took NYC musical theater by storm with his Natasha, Pierre & The Great Comet of 1812, but his path to Off-Broadway success began in San Francisco’s experimental theater community—and he’s holding on tightly to that non-traditional approach.

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