The Pun is Mightier than the Portmanteau

Orchestra performing with some players dressed in Santa Claus costumes.

I was told after I wrote it—by a (perhaps too) “serious” musician—that BasSOON It Will Be Christmas wouldn’t get played much. Well, it gets played at least a dozen times annually and has been played by many top orchestras, such as the symphonies of Atlanta, Houston, and Pittsburgh.

Power of the Project-Based Life

jenga playing

To thrive in the 21st century, we need to rethink our philosophies around how we conceive of success and our methods of making money. What would it look like if we all changed the way we view our careers? What would music schools look like if we changed the way we message vocation?

What to Ware? A Guide to Today’s Technological Wardrobe

Circuitry for Salvage

Significant features distinguish software from hardware in terms of their apparent (or at least perceived) suitability for specific musical tasks, and this has an often-unremarked influence on musical processes. Nic Collins draws out some illuminating distinctions.

Choosing the Three-Letter Response Over the Two-Letter One

The concert at the Congregation Shaar Hashomayim showing the members of the orchestra in front of a film projection and the audience.

There was a very distinct point at the beginning of my composing career when a decision changed absolutely everything for me. My future would take time to pan out, of course, but at the moment when I chose the three-letter response instead of the two-letter one, an entirely new career path was set into motion.

Missy Mazzoli: Communication, Intimacy, and Vulnerability

Missy Mazzoli in her composition studio.

Whether she is writing for orchestra, chorus, solo piano, an opera, or her own indie-rock inspired chamber ensemble Victoire, Missy Mazzoli is still “asking the same questions” and “finding different answers to the question of how to bring an intimate, vulnerable, human experience to a situation.”

The Case for Radio

Car Stereo

How do you define radio in this day and age of digital platforms? If you were in charge of a new music radio show, 24/7 stream, or podcast, what would you include?

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