Have you created a brand that people trust without hesitation, return to again and again? Trust is the superpower that bequeaths upon us endless leaps of faith. How do we get it?
When she graduated with her master’s degree, Dale Trumbore give herself three years to try composing as a full-on career before considering any more schooling. She hasn’t returned to the classroom yet.
Details on award recipients in the 63rd BMI Student Composer Awards, the 16th ASCAP Concert Music Awards, and the 75th American Academy of Arts and Letters Ceremonial.
It is community that brings our creations to life and extends them far beyond what we are capable of on our own. The reverse is also true: our creations bring communities to life, by connecting like-minded people and providing them with a space in which to safely explore their interests and passions.
The time that Jen Shyu spent in Taiwan, Indonesia, East Timor, China, South Korea, Cuba and Brazil has broadened her musical language, but she still considers herself an experimental jazz vocalist.
I’ve finally figured out how to break through the filter of self-doubt on a fairly reliable basis. For me, what works is a series of mantras—nuggets of wisdom from people smarter than I am that I can repeat until the filter unclogs.
The new music community offers us a model of rigorous self-examination, a thorough and ongoing exploration of the processes leading to creative innovation. The tech community favors a skills-based approach to growth. The strategies overlap, even as the applications differ. Here are the top growth strategies of 35 colleagues from the industries of new music and tech.
Fay Victor began her career as a straight-ahead jazz singer but now makes extremely difficult to define music that embraces blues, psychedelic rock, Caribbean popular forms, experimentalism, and even elements of classical music, as well as jazz.
Boston’s $1.5 billion arts industry is teeming with life, from the heady and formal to the gritty and DIY. Will Roseliep plunged into the ecosystem and brought back this report.
There may be no greater way to make yourself feel like a bad composer—the worst composer, really—than watching the fluffiest of all fluffy shows in the house of one of the Great American Composers while being paid, essentially, to live there and compose.