Timbre, Envelope and Variation in Electroacoustic Music

A table with a variety of electroacoustic music gear. Image courtesy Blake Zidell & Associates for NYCEMF and the New York Philharmonic Biennial)

Timbre and envelope are intricately related and are major determinants of how effective a sound event in music will be, whether in acoustic music or electroacoustic music. Since the sound events used in electroacoustic music often have little or no distinct pitch characteristics, traditional contrapuntal sequencing devices often may not generate identifiable or interesting variations, but other techniques, including models borrowed from rhetoric, can be used effectively.

Imagining Community at Bang on a Can’s First Marathon

Bang on a Can poster

Essential to the construction of community is the creation of a shared history: a rhetoric and a narrative about who the community is, and what its values are. And in order to create a new kind of community, Bang on a Can had to overplay its hand. Community had to be performed.

The Defeat of New Music

University of Arkansas

Because of Babbitt and others, contemporary music gained access to academia and did find some solace, but the price of admission was nevertheless very high. By fundamentally treating contemporary music as a field of scientistic exploration, this type of music neglected most of its bonds with modernity and its emancipatory project based on self-critique.

The Opportunity of Electroacoustic Musicology

A table with a variety of electroacoustic music gear. Image courtesy Blake Zidell & Associates for NYCEMF and the New York Philharmonic Biennial)

The musicological exploration of electroacoustic music, its historical and social dimensions, is long overdue. In fact, as so many pivotal figures pass away, I cannot fathom why there has not been a rush to collect primary source material, let alone to interpret it.

2016 Pew Arts Grants Announced

Pew 2016 Grants

The Pew Center for Arts & Heritage has announced their 2016 grants in support of the Philadelphia region’s cultural organizations and artists. Fifty three grants totaling more than $10 million will provide funding.

Opera Philadelphia Names Rene Orth 6th Composer in Residence

Rene Orth

Opera Philadelphia, in collaboration with Music-Theatre Group in New York, has announced that composer Rene Orth has been selected as its sixth composer in residence. Funded by The Andrew W. Mellon Foundation, the position combines an individualized plan of study with a living stipend and health benefits.

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