An Open Response to “… But I Hate Modern Music”

Cartoon of bolts striking a reddened ear

Subjectivity isn’t actually a matter of taste. It’s a matter of expectation. When it comes to art and artistic renderings, there is, unfortunately, often a disconnect between what an artist is presenting and what an audience believes their price of admission is buying.

Summer Residency Snapshots: Into the Workshop

Arx Duo

Composer/performer collaborations may run in both directions at once: input from performers can help composers create more easily interpretive, idiomatic work, and composers can bring interpretive clarity to hard to parse scores while writing with their collaborators in mind.

Whither Los Angeles: The Émigrés

Whither Los Angeles: The Émigrés

Los Angeles is a place where cultural dichotomies are magnified, and the rift between American and European musical priorities illustrated by the experiences of émigré composers of the ’30s and ’40s offers a powerful case in point. This was a collision of worlds which never fully resolved or came to an agreeable integration, reflecting some of the fundamental fragmentation of Los Angeles.

Summer Residency Snapshots: The Composer / Performer Mind Meld

Invisible Anatomy

For ensembles of composer/performers, neither the tight, goal-oriented schedules of summer festivals nor the creative isolation of writers colonies fit. At Avaloch, both Triplepoint Trio and Invisible Anatomy were able to stretch their legs creatively while being inspired by the diverse community around them.

What Happens When Composers Make Opera

What Happens When Composers Make Opera

A collaborative conversation at Hunter College’s Ida K. Lang Recital Hall featuring some of the most prolific and interesting composers, librettists, and singers working in New York’s new opera scene.

Whither Los Angeles? New Music in Tinseltown

Hollywood Sign Los Angeles

It’s hard now to find a week in which you can’t hear something new—really new—in Los Angeles. Perhaps like many composers who grew up grumbling about its pop culture backdrop and who are now witnessing the flowering of an LA new music community, I am wondering: how did we get here?

Summer Residency Snapshots: Lessons in Dynamic Collaboration

Duo Noire

How can taking part in a close dialogue over the genesis of a piece lead to more sustained and flexible partnerships between composers and performers? How can being in an idyllic natural setting, surrounded by other interesting musicians and away from one’s normal routine, impact creative work? Is it important to be friends?

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