When new music groups perform in rock clubs and other similar venues they are counting on these spaces to recontextualize what they do. But what about the venues that make this recontextualization possible? How do their priorities differ from those of more traditional venues? They are an essential part of this trend, but do they know it?

So the term “indie classical” seems to be ascending in popularity, along with the requisite hand-wringing about what it means, whether or not it’s a good thing, and whether or not it’s even worth thinking about.

Before a big event, it’s important to take a few minutes to iron my shirt. I know this tip seems trivial to the point of ridicule; however, it’s actually an important part of my routine. At a premiere, a million things can go wrong, and I take great comfort in knowing that there is this one small aspect of the performance that I can control.

It might be more accurate to consider Journey as a musical composition with interactive video element, rather than as a barely challenging game with a fantastic and lovingly created underscore.

Usually I attend art exhibitions, restaurants, or perfume shops and contemplate how much music presenters can learn from what these other communities do. But this time around, the music people totally got it right.

Nine composers (ages 16-27), chosen from more than 700 applicants from throughout the Western Hemisphere, were named recipients of BMI Student Composer Awards; the winners received cash awards totaling $20,000.

A large majority of creative artists who will be shaping music will at some point study composition at the collegiate level and, whether or not their work will exist because of or in reaction to their experiences in academia, we as a community need to be aware of the deficiencies that exist and strive to improve them.

The daily routine of Encuentro de International de Musicos makes it somewhat difficult to sightsee or go shopping for souvenirs. Every day, our group of ten musicians is scheduled to rehearse from 10 a.m. to 2 p.m. with workshops being conducted from 3-6 p.m. and, since Wednesday, concerts from 8-10 p.m.

Melford has been honored with the award “for her ascending and expansive trajectory, and great, generous musical mind.”

By including everything from electronic works and acoustic ensemble performances, to a sound art installation for amplified table, and even an eight-foot long embroidered score, this festival was a testament to the area’s artistic diversity.