She was recognized for synthesizing “various musical styles in highly physical, large-scale narrative compositions that reimagine folk traditions and lore and address issues of the American worker.”
Coming from a Jewish background personally did not mean that somebody was necessarily familiar with any intrinsic qualities of klezmer, although—unless they’d developed an aversion through early negative exposure to this sometimes-stigmatized heritage—it usually didn’t hurt.
What does it mean when strangers show up, infiltrate our institutions, assimilate our knowledge, and then leave? Ensemble-in-residence…who does that?
After 20 years as executive leader of American Composers Orchestra (ACO), President and CEO Michael Geller will depart the organization at the end of 2016. He is leaving to attend to personal and family obligations while considering new professional opportunities. ACO’s Board of Directors is seeking a new executive director who will continue to build upon the success and stability that Geller has spearheaded over the past 20 years.
So how can you too hold down a glamorous, innervating office/day job and still find time to fulfill your artistic dreams, musical or otherwise? Here are eight suggestions (some of which I’m sure apply to “full-time” composers as well).
President Obama will present Philip Glass with the National Medal of Arts next week for his “groundbreaking contributions to music and composition.” The event will be live streamed.
Although raised in a musically-oriented New York City family, I only heard most of the genres that are now key inspirations for me during my New England college years and in the decade after (much of which I spent in the progressive Pacific Northwest).
Composing is about who you know…The reasons why you write music will become clearer… Thinking back on the past few years, I suppose I have learned a few things that would have been useful to my 20-something self. So in the spirit of paying it forward, here are some reflections on composing after young-composer-hood.
When your writing time arrives, you embrace it and WRITE.
It took Connie Crothers several years of profound study before she would perform in public. She she eventually began to perform solo, and to experience rejection from the audience. She also offered reasons why her band would not perform more frequently. She was adamant that it had to do with the divide in the jazz world—jazz tunes versus free jazz/free improvisation—and with the fact that she was a woman leader and would be hired less often because of it.