Creating, Performing And Listening
FRANK J. OTERI: The final area I’d like to talk with you about is the Web, and how composers and musicians an artists of all type can use this wonderful tool.
PAULINE OLIVEROS: It’s a fantastic tool, and I’ve been online since 1986.
FRANK J. OTERI: Wow.
PAULINE OLIVEROS: We had our Deep Listening catalog, mail-order catalog on the Internet before the World Wide Web.
FRANK J. OTERI: That’s great. Do you do most of your sales through the Web?
PAULINE OLIVEROS: Yes. I also just used the Web site for the development of the Lunar Opera which was done at Lincoln Center on August 17. There were nearly 300 performers involved in that, and it was developed over time using the Web site to put out the score, the synopsis, the performing list and production, and I used an e-list to connect everyone. We even had a registration form for volunteers.
FRANK J. OTERI: And you found everybody on the Web.
PAULINE OLIVEROS: Yeah, and the project was coordinated all through the Web and e-lists. We had two days for a walk through, and then a performance, and everybody knew what to do, and it worked really well. I think it’s a new model for how to develop a project.
FRANK J. OTERI: It’s definitely a way to get new music out there.
PAULINE OLIVEROS: Yeah. And we are planning and wanting to have Web cast from the Deep Listening Space in Kingston because it’s a small space, but you can have nice performances, intimate performances. We just had a wonderful one last week, the Mallik family from India, Dhrupad singing, this gorgeous singing – you never get to hear it – it’s a disappearing form because there are no more Maharaji‘s to support it. But this family is remarkable, they had a performance in New York and a performance in Kingston, so it would have been wonderful to have Web cast it.
FRANK J. OTERI: We’re going to start Web casting.
PAULINE OLIVEROS: And we will too. I’ve already been involved in many improvisations on the Web with people in remote locations. In fact the first distance thing I did was back in 1990.
PAULINE OLIVEROS: We have the tools – we can do really good things or we can do really stupid things.
FRANK J. OTERI: Let’s hope we continue to do most of the good things.