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NewMusicBox Mix: 2016 Staff Picks

NewMusicBox Mix: 2016 Staff Picks

Before we ring in 2017, it’s become a bit of a tradition here at New Music USA to give a cheer for some of the standout music of the past year. Below you will find a selection of tracks streamed separately with a bit of commentary on what made them notable, as well as a continuous playlist of all of the music at the bottom of the post. Follow the links for further listening and to add the albums to your own collection.

Don’t see a favorite of yours? We hope you’ll add it below so we can all give another round of applause to the great work that hit our ears in 2016.

Happy Holidays from New Music USA!!


Timber Remixed

Michael Gordon; remixed by Ikue Mori: Timber
Performed by Mantra Percussion

ALBUM: Timber Remixed
Cantaloupe Records

Purchase via the Bang on a Can Store / Amazon / iTunes

I love the idea of keeping a work alive by recreating it in a variety of ways, and for this work Michael Gordon and Mantra partnered up to shine light on a number of composers, each with a very different voice. Why this particular track? On a personal level, I just really respond to Ikue Mori’s aesthetic. I shared this with the hope that many of you listening will explore the entire release, and then dig deeper to explore all the composers on it further. –Deborah Steinglass, Director of Development


Nicolas Jaar: No

ALBUM: Sirens
Other People

Purchase via Other People / Amazon / iTunes

An atmospheric delight. Imagine walking the halls of a slightly run-down, crowded apartment building on a sultry August evening. Lots of background, a shifting and elusive foreground—you never know what you’ll hear next. Here’s a track, but seriously, you need to sit back and just listen to the whole thing. –Eddy Ficklin, Director of Platform


holographic

Daniel Wohl: Formless
Performed by Daniel Wohl, Lucky Dragons, Olga Bell, Caroline Shaw, Bang On A Can All-Stars, Mantra Percussion, Mivos Quartet, and Iktus Percussion

ALBUM: Holographic
New Amsterdam Records

Purchase via Bandcamp / Amazon / iTunes

I’m a sucker for post-rock and ambient music. Eno’s Music for Airports done by the Bang on a Can All-Stars was one of the first introductions that brought me to contemporary classical composition. Listening to Daniel Wohl’s Holographic reminds me of this area of post-minimalist/classical and post-rock/ambient genre cross-talk that has always interested me. This record exhibits that style of slow and thoughtful musical development with well-orchestrated blends of electronic textures and instruments. — Blake Whiteley, Development Assistant


Brighter

Oneida / Rhys Chatham: You Get Brighter

ALBUM: What’s Your Sign?
Northern Spy Records

Purchase via Bandcamp / Amazon / iTunes

I first heard Oneida play in a disused public parking lot Brooklyn in 2001. It was a pretty dark time for New York and we were all young and angry. Oneida’s sound has matured without losing any of that passionate, furious energy which struck me then. Teamed up with composer Rhys Chatham, Oneida have recently issued What’s Your Sign?. While some of the tracks are a little uneven, “You Get Brighter” is definitely worth a listen. –Madeline Bohm, Software Engineer and Designer


stone people

Martin Bresnick: Ishi’s Song
Performed by Lisa Moore, piano

ALBUM: The Stone People
Cantaloupe Records

Purchase via the Bang on a Can Store / Amazon / iTunes

Lisa’s playing (and singing) here is, as always, supremely musical and controlled and full of intent, and the piece, like all of Martin’s music, is profound, surprising, and rewarding to delve into. The Ishi of the title was the last of his people–the Yahi Indians–and the piece is based on transcription of a traditional song he recorded after being taken in by anthropologists at the University of California, Berkeley (his story is definitely worth reading). I’ve heard Lisa play (and Martin introduce) Ishi’s Song live a number of times now, and each performance feels like a brief glimpse into a lost world. The original melody is sung and then braided into shimmering, shifting textures, creating a mirage-like sensation, like being on the edge of seeing or grasping something that ultimately remains elusive. –Eileen Mack, Junior Software Engineer


dogdays

David T. Little: Winter – Act III, Scene 2, “Endgame”
Performed by James Bobick, Marnie Breckenridge, Cherry Duke, John Kelly, Michael Marcotte, Newspeak, Alan Pierson, Peter Tantsits, and Lauren Worsham

Album Name: Dog Days
Vision Into Art Records

Purchase Amazon / iTunes

Dog Days, the opera by composer David T. Little and librettist Royce Vavrek, is terrifying, and that’s why I love it so much. There’s something about watching a family fall apart in a post-apocalyptic world that’s deeply disturbing (especially–spoiler alert!–when cannibalism is involved), but at the same time it’s too fascinating to look away. David’s score is a haunting representation of the action on stage, and this track reflects the tension, panic, and loss of humanity and hope we’ve reached at the climax of Dog Days. –Sam Reising, Community Platform Strategist and Grantmaking Manager


real enemies

Darcy James Argue: Dark Alliance
Performed by Darcy James Argue’s Secret Society

ALBUM: Real Enemies
New Amsterdam Records

Purchase via Bandcamp / Amazon / iTunes

Darcy James Argue brought a certain amount of swagger to the table just by forming an 18-piece big band in New York City. I’m pretty sure the first show I caught featuring his amazing crew of co-conspirators packed the stage so tightly that the bass player was effectively in the club’s kitchen—and they were still killing it! But what I really walked away thinking—and to even greater degrees after every performance I’ve heard since—is that Argue has a gift for attracting committed, remarkable players and feeding them a stream of witty and sophisticated material, a potent mix that excites the audience’s ears as well as their toes. With Real Enemies, his exploration of conspiracy-driven politics through the decades (originally designed as a theatrical event), his cross-era cuts are particularly incisive. –Molly Sheridan, Director of Content, and Co-Editor, NewMusicBox


duopoly

Kris Davis: Tim Berne
Perform Kris Davis and Tim Berne

ALBUM: Duopoly
Pyroclastic Records

Purchase via Bandcamp / Amazon / iTunes

This improvisation featuring Kris Davis and Tim Berne, is from Kris Davis’s aptly named album Duopoly. The album consists of Davis playing one composed and one improvised duet with eight different musicians (the first half of the album is all of the composed pieces and the second half is all of the improvised pieces) in a package that comes with an audio cd and a visual record documenting recording session. While the individual playing throughout the album is wonderful, what really appeals to me about this track is the way in which the musicians play off each other to creates a piece whose structure I found to be complex and organic. –Brad Lenz, Development Manager


wild cities

Clint Needham: On the Road: Nothing Behind Me
Performed by Francesca Anderegg (violin) and Brent Funderburk (piano)

ALBUM: Wild Cities
New Focus Recordings

Purchase via New Focus / Amazon / iTunes

I was first drawn to Francesca Anderegg’s album Wild Cities having known her and the pianist during my graduate studies, but I was especially taken with the work, On the Road: Nothing Behind Me by Clint Needham. The first listen had me Googling for sheet music! The piece is a mixture of playful lightness and distant, far-off memories tinged with wistfulness and the fading sunlight. –Kristen Doering, Grantmaking Associate


stay

Jennifer Bellor: Chase The Stars
Performed by Jennifer Bellor, Rasar Amani, Lynn Tsai, Ivan Ivanov, Samantha Ciarlo, Tammy Hung, David Chavez, Lindsay Johnson, Bennett Mason, Sean Carbone, Tim Jones, Kyle Bissantz, Summer Kodama, Jeremy Klewicki, and Bronson Foster

ALBUM: Stay

Purchase Amazon / iTunes

Since so many extraordinary recordings are released every year, it usually borders on the impossible to sing the praises of just one of them. But JCOI-alum Jennifer Bellor’s self-released Stay seems to be several albums at the same time. Equal parts jazz and contemporary chamber music, but also indebted to indie rock, hip-hop, and even golden age Broadway musicals, this kaleidoscopic collection of 13 originals is a wonderful demonstration of how to maintain a highly individual compositional identity without needing to take refuge in pre-post-genre musical silos. I love Moments Shared, Moments Lost (a 2016 duo for clarinet and pipe organ), and AfterHours (a 2014 drum set solo), but nothing probably sums up the dazzling eclecticism of this release more effectively than Chase The Stars, a 2015 setting of an Emily Brontë poem in which Bellor’s own operatic voice is accompanied by flute, bass clarinet, string quartet, piano, electric guitars, three percussionists, and a rapper! –Frank J. Oteri, Composer Advocate, and Co-Editor, NewMusicBox


Stream the full list:

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