An award-winning traditional performer and educator in her native country of Vietnam, Vo has found a particular freedom in the myriad genres and styles of music that surround her here in America—an influence that has filtered into both her musical ideas and the instruments and techniques she uses to communicate them.
When you visit Kenneth Kirschner’s über-minimalist single-page website, you get a clearer sense of how central the free distribution of his work is to him. No program notes are offered, no composer bio included. Just select a track and experience the music. “I think, being an experimental composer, it’s about encouraging a listener to take risks.”
As a singer and instrumentalist who has worked in at least a dozen different musical genres, Caleb Burhans has always been drawn to the inner voices preferring to, as he puts it, “play second violin or viola than first fiddle.” This attraction spills over into his own deceptively simple, extremely meticulous musical compositions.
Composer and electric guitarist D. J. Sparr draws energy and inspiration from interacting with other musicians. “That’s why I compose,” he says, “to get to the point where I can be actively working with other musicians.” A full schedule of composition commissions, performances of his own music and that of other composers, and educational residencies ensures that he gets his fill of that vitality.
Troy Herion’s interest in making movies grew directly out of making music. It was a way to further extend the possibilities of what music can be. And in works like Baroque Suite and New York: A City Symphony, Herion has fused visual and sonic elements together so symbiotically that it is difficult to imagine them independent of one another.