Christopher Theofanidis is a composer focused on the big picture. Whether scored for a full compliment of choral and orchestral musicians or a more conservative troupe of chamber players, his music carries aspects of his expansive approach to life and listening. Read the interview…

Surprise, but not compromise, is a fundamental component to Henry Threadgill’s aesthetic. Read the interview…

Hearing the five members of Imani Winds talk about their history together and what keeps them going is like walking in on a great party. Read the interview…

The story of Bunita Marcus has been one of new music’s great mysteries. Read the interview…

Descriptors like “extremely specific” and “incredibly nuanced” become touchstones when speaking with Augusta Read Thomas about her life and work and the inspiration that drives it all. Read the interview…

In the arts, you’ll come across a lot of multi-talented people, but not many who can boast the depth of accomplishment in as many areas as George E. Lewis. Read the interview…

John Kander has been composing music for challenging, thought-provoking theatrical productions for half a century and is eager to keep working. Read the interview…

Kyle Gann has been able to write so effectively and authoritatively about the composers of our time because he is also a composer himself. Read more…

Vijay Iyer’s music might have some rigorous concepts behind it, but the end goal is always a direct and visceral engagement with the audience. Read more…

Margaret Brouwer’s unapologetically polystylistic compositions are a personal response to centuries of music. Read the interview…