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Carl Stone: Intellectual Property, Artistic License and Free Access to Information in the Age of Sample-Based Music and the Internet

Carl Stone California-based composer, radio host and computer music guru Carl Stone meets NewMusicBox editor Frank J. Oteri at the American Music Center Tuesday, October 17, 2000, 10 AM – 12 p.m. Filmed by Jenny UndercoflerTranscribed by Lisa Kang Formative Experiences The 20th Century and Pre-Recorded Sound Intellectual Property Barbie Getting Sampled vs. Getting Plagiarized […]

Music and the American Presidency: A Virtual Fireside Chat with U.S. Presidents

An aerial view of the South side of the White House Compiled by Frank J. Oteri andJenny UndercoflerAdditional research by David Hughes The Role of Music in American Life Personal Attitudes About Music Great American Composers Other Favorite Presidential Musicians Music & Diplomacy: International & Domestic The Chief Executive as Music Critic Some Thoughts About […]

John Eaton: Involving Audiences in the Sweep of the Music

John EatonPhoto by Lloyd DeGrane, courtesy of The University of Chicago Chronicle August 3, 2000 – 1:00 to 3:30 pm John Eaton in conversation with Frank J. Oteriat The American Music Center Filmed by Jonathan Murphy and David HughesTranscribed by Karyn Joaquino A Non-Theoretical Approach to Microtonality Writing Microtonal Music and Practical Realities Audience Perception […]

The Many Views of Betty Freeman

Photographer and patron Betty Freeman, who has been something of a Nadezhda von Meck to composers ranging from Harry Partch and John Cage to La Monte Young and Kaija Saariaho as well as numerous visual artists, talks about what music she funds and why.

Gary Lucas: Ignoring Genre Divisions

Guitarist Gary Lucas has been one of the most in-demand in the realm of experimental rock for decades. Perhaps best known for his stint with Captain Beefheart and the Magic Band, Lucas was also the electric guitarist for the European premiere of Leonard Bernstein’s Mass. Lucas talks about Beefheart and Lenny as well as his numerous fascinating solo projects.

Lewis Spratlan: Beyond the Pulitzer Prize

Shortly after learning that Lewis Spratlan had won the 2000 Pulitzer Prize in Music for part of an opera that had been completed in 1978 but was only performed in a concert version this past year, we trekked up to Amherst to talk to him about it.

AMPPR Board Members Talk About Radio

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Members of the board of directors of the American Music Personnel in Public Radio–Outgoing President Beverley Ervine (WOSU-FM, Columbus OH), Chris Kohtz (WGUC-FM, Cincinnati OH), Boyce Lancaster (WOSU), Robert J. Lurtsema (WGBH-FM, Boston MA), Deanne Poulos (KBAQ-FM, Phoenix AZ), and Lois Reitzes (WABE-FM, Atlanta GA)–get grilled about broadcasting the music of American composers.

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