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A Cup of Tea with Dawn Upshaw

Dawn Upshaw Across the street from the Metropolitan Operain New York City Thursday, January 3, 2002—11 a.m. Videotaped and transcribed by Amanda MacBlane Singing in American English vs. Other Languages Good Vocal Writing for American English The Balancing Act of Interpretation From Folk Music to a Career Emersion in New Music Stylistic Plurality and Ambiguity […]

A Place for New Music: A Discussion on Concert Hall Venues

Russell Johnson, Colette Domingues and Limor Tomer Russell Johnson-   CEO of Artec Consultants, Inc.Colette Domingues-   Principal, Magalhães MusicLimor Tomer-   Curator for BAMCafé Conceived by Molly Sheridan and Amanda MacBlane Moderated by Frank J. Oteri Friday, December 7, 2001The Robert Steele Gallery in ChelseaNew York, NY Videotaped and Transcribed by Amanda MacBlane The Ubiquity of Music The Concert Hall […]

Milton Babbitt: A Discussion in 12 Parts

Milton Babbitt Photo courtesty Milton Babbitt At the Juilliard School of Music October 16, 2001—3:00-5:00 p.m. Videotaped and Transcribed by Amanda MacBlane Conservatories, New Music, and that term “Classical Music” The Lure of Technology Responding to Attacks on Serialism Rap Music Popular Standards On People’s Attachments to Music The Economics of New Music Baseball and […]

Philip Glass: 25 Years after ‘Einstein On The Beach’

A scene from the 1984 Production of Einstein On the BeachPhoto by Tom Caravaglia, courtesy Zeisl Frank J. Oteri talks with Philip Glass Tuesday, October 9, 2001—5:00-6:00 p.m. Dunvagen Studios, New York, NY Videotaped and transcribed by Amanda MacBlane Art vs. Entertainment Labels, Music Criticism, and Changing Tastes Reflecting on Earlier Music Breaking Musical Taboos […]

Orchestra Tech: Introducing Technology into the Orchestra

Ray Kurzweil, Gil Rose, and Tod Machover Ray Kurzweil, Gil Rose, and Tod Machover September 24, 2001 Massachusetts Institute of Technology, Cambridge, MA Moderated and Videotaped by Frank J. Oteri Transcribed by Amanda MacBlane What is an Orchestra? Why Introduce Technology into the Orchestra? Convincing Audiences and Administrators The Repertoire and the Venue Standardization and […]

Richard Einhorn: Yesterday Is Not Today

Richard Einhorn Editor Frank J. Oteri visits Richard Einhorn at his studio. New York City — Friday, August 10, 2001, 2:00 P.M. Interview Videotaped and Transcribed by Amanda MacBlane New Music and Old Music The Hermetically Sealed Classical Music Community Schoenberg’s Legacy The Cutting Edge New Music in Older Styles New Music for Early Music […]

Ingram Marshall: Today’s Music Tomorrow

Self portrait by Ingram MarshallPhoto courtesy Nonesuch Records Frank J. Oteri visits the home ofIngram Marshall in Hamden, CT Tuesday, July 17, 2001, 1:00 p.m. Interview Videotaped and Transcribed by Amanda MacBlane Tape Music vs. Score-Based Music Musical Boundaries From Fog Tropes to Hymnodic Delays Working with Other Musicians The Orchestra Recordings Promotion and Documentation […]

Natasha Sinha: Top Ten!

Natasha SinhaPhoto by Raj Sinha Natasha Sinha talks with Frank J. Oteri at the New York City offices of ASCAP May 24, 2001—11:30 a.m. Conversation videotaped by Jenny UndercoflerTranscribed by Julia Lu The Life of a Composer The Process of Composing, Audiences and Peers Musical Influences From Notation to Performance Program Music and the Avant-Garde […]

Terry Riley: Obsessed and Passionate About All Music

Terry RileyDrawing by Melissa Richard Terry Riley in conversation with Frank J. Oteri@ the Wortham Theater Center, Houston, TX February 16, 2001 Transcribed by Julia Lu Earliest Musical Experiences Studying Composition and Discovering Jazz The Birth of Minimalism and In C Studying Indian Music Solo Keyboard Improvisations Just Intonation String Quartets & Other Chamber Music […]

Michael Tilson Thomas: Making Anything Sound Good

Michael Tilson ThomasPhoto by Terrence McCarthy Michael Tilson Thomas talks with Frank J. Oteri@ the New World Symphony, Miami Beach, FL Monday, April 16, 2001, 1:00 p.m. Transcribed by Julia Lu American Music and Welcoming in the Vernacular Orchestras as Repertory Companies Advocating American Repertoire Difference in the Reception of Music and Art American Music […]