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Charlie Morrow: Wearing Different Hats

Charlie Morrow standing outside the 1817 James Brown Building in NYC which houses the Ear Inn

The variety of activities that Charlie Morrow has been involved in for more than half a century is staggering even by today’s standards, when the wearing of numerous hats is almost a pre-requisite for being successful as a composer.

Jen Shyu: No More Sequined Dresses

Close up of Jen Shyu

The time that Jen Shyu spent in Taiwan, Indonesia, East Timor, China, South Korea, Cuba and Brazil has broadened her musical language, but she still considers herself an experimental jazz vocalist.

Fay Victor: Opening Other Doors

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Fay Victor began her career as a straight-ahead jazz singer but now makes extremely difficult to define music that embraces blues, psychedelic rock, Caribbean popular forms, experimentalism, and even elements of classical music, as well as jazz.

Sheila Jordan: Music Saved My Life

Sheila Jordan

Whatever Sheila Jordan sings she makes completely her own to the point that the line between composition and interpretation is extremely blurry. Now in her late 80s, Jordan is booked for the rest of the year with performances and masterclasses across the USA, as well in Germany, Austria, Italy, and Japan.

Samuel Adler: Knowing What You’re Doing

Samuel Adler in front of a map of the United States

At 87, Samuel Adler remains steadfast in his determination to preserve and build upon the Western classical tradition–as the composer of six symphonies, five operas, a dozen concertos, tons of sonatas, and ten string quartets (eight of which he still acknowledges), as well as a teacher for 63 years and the author of definitive tomes on orchestration, choral conducting, and sight singing.

Jerome Kitzke: Stories That Must Be Told

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Although his chosen means of expression is music, Jerome Kitzke describes himself as a storyteller. Kitzke’s musical stories have frequently dealt with the plight of Native Americans and other examples of social injustice. If his music inspires people to explore some of these issues on their own he considers himself successful.

Daron Hagen: The Human Element

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For Daron Hagen, working on an opera is so immersive that his life can be fairly neatly divided into chapters corresponding to each of the operas he has written. Nowadays, even though he is principally concerned with being a father, opera continues to inspire him, in part because he sees parallels between writing opera and parenting.

Paul Dresher: Intense Beauty, Visceral Energy, and Sonic Curiosity

Paul Dresher

Paul Dresher has done work in at least three distinct musical streams with equal vigor and equally significant results. But whether he’s creating a fully notated piece of post-minimalist chamber music, a poly-stylistic score for an intense musical theater work, or an idiosyncratic experiment for one-of-a kind instruments of his own design, he’s always operating with the same basic assumptions about his audience.

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