Cover

Juan Orrego-Salas: I’ve Written All I Have to Write

OrregoHeadshot

Juan Orrego-Salas (b. 1919) is the last surviving member of a major group of mid-20th century American composers. He was a protégé of Aaron Copland, Randall Thompson, and Luigi Dallapiccola, and a personal friend of Irving Fine, Lukas Foss, and Pablo Neruda, among others. He also founded the Latin American Music Center. His is an important story in the annals of American music.

Marc Neikrug: An Outlet for Emotional Experience

Marc Neikrug

Part of why Marc Neikrug’s compositions have attracted the attention of so many high-profile soloists is that for many years he was a member of that exclusive club himself—a concert pianist who performed standard repertoire with Pinchas Zukerman in most of the world’s major concert halls. Yet for that reason his music hasn’t always been immediately embraced by the new music community. But he’s perfectly O.K. with that.

Andrew Norman: Empowering Performance

Andrew Norman: Empowering Performance

For composer Andrew Norman, the process of composing feels like a tug-of-war between opposing forces. From start to finish, he is constantly questioning, and pushing back on his own ideas in his efforts to create meaningful musical experiences for performers and for audiences. He revels in the visceral experiences of music making, and thoughtfully challenges performers to bring their own ideas to the interpretation of his music.

Lisa Bielawa: Fire Starter

Lisa Bielawa

It’s difficult to stand anywhere near composer and vocalist Lisa Bielawa and not feel energized by proximity. An extrovert to the core, she acknowledges that her highly social nature has taken her in some specific directions both as a composer and as a musical citizen.

Dan Trueman: Man Out of Time

Dan Trueman

What could a Hardanger fiddle player and a computer programmer possibly have in common? For Dan Trueman, an expert in both areas, it’s all just technology. And whether the eventual expression of his ideas requires old instruments or the invention of new ones, he is more concerned that the tools employed offer musicians the most engaging musical experience possible.

Laura Kaminsky: Every Place Has a Story

Laura Kaminsky: Every Place Has A Story

For thirty years, in addition to writing her own socially and environmentally charged music, Laura Kaminsky has worked behind the scenes allowing other composers to have an opportunity to get their voices heard.

Derek Bermel: Context is Key

Whatever genre of music he is engaging in, Derek Bermel is always mindful of its context. That mindfulness, coupled with an insatiable musical curiosity, manifests itself whether he is composing music for an orchestra, playing clarinet with various chamber ensembles, singing in his own R&B band, or jamming with traditional musicians from around the world.

Carman Moore: Curiosity Is the Strongest Engine

If there were a music version of “Six Degrees of Kevin Bacon,” it could very well be “Six Degrees of Carman Moore” since Moore—in a career spanning decades—connects to everyone from Pierre Boulez and Karlheinz Stockhausen to John Lennon and Aretha Franklin. And yet, many people are unaware of Moore, even within the contemporary music community.

Stacy Garrop: With a Story to Tell

The role of narrative—whether indirectly or overtly applied to the final composition—is a central factor in Stacy Garrop’s typical working process. In it, she had found a way to shape and chart the sonic image she wants her music to ultimately project to the world beyond her studio.

Page 1 of 2012345Last »