Posts in Cover
Originally a student of history before he refocused his efforts into music, Robert Carl’s interest in time, memory, and space are veins running through his compositions, his work more given to conjuring imagery than narrative plot. And whether inspiration is mined in the wake of a seascape or travelers on a speeding bullet train, the resulting music tends to carry a distinct organic beauty and rich, encompassing depth.
The music of composer Arlene Sierra is significantly focused on creative forms of process. Whether structures from the natural world such as beehives or flocks of birds, or human-made maps of war game strategy, sturdy foundations ground the musical content of her works for orchestra, chamber ensemble, chorus, and opera.
Neil Rolnick is extremely soft-spoken and self-effacing, but for over 30 years he has helped to create a much changed musical landscape in the United States in terms of musical aesthetics and the application of technology in concert performance.
Although the legendary musical revolutionary Edgard Varèse would be his lifelong mentor, Chou Wen-chung is a consummate traditionalist who has devoted his entire life to reconciling the disparate musical legacies of East and West.
If there is any way to distill the wide-ranging artistry of Matana Roberts, it might be to focus on the ways in which she eludes definitions. The Chicago-raised composer, improviser, and alto saxophonist offers a friendly yet confidant smile as she explains, “Basically, I don’t like being told what to do, or who I am, or what I am by other people. I prefer to make those statements myself.”
Composing music is usually a solitary act, but Conrad Cummings is by nature a very sociable person. This has drawn him into some of the most fascinating collaborative projects such as Photo-Op created with the painter James Siena and The Golden Gate based on a novel in sonnets by Vikram Seth.
In conversation, Evan Chambers conveys his ideas using words in a strikingly similar fashion to how he delivers them in music: honestly, intelligently, with neither fear of open emotion nor of making a sharper point than his laid-back demeanor might at first lead you to expect. As he speaks about his familial roots in folk music, his love of poetry, and the responsibility he feels as an artist to acknowledge broader social, political, and environmental challenges, a portrait of the composer emerges that reveals again how incompletely shorthand genre descriptors and professional biographies capture art and artist.
Glenn Branca has had a deep and lasting impact on several music scenes, but he was never really a part of any of them. With Theoretical Girls, he created a new kind of punk rock music that came to be known as No Wave. Later on, he redefined what a symphony could be. Making music that was more visceral and louder than anything in the new music scene, he even frightened John Cage. Thirty years later, he’s still making waves.
While the myriad details that are crammed into Sebastian Currier’s scores are reminiscent of the elaborate layers found in the Romantic music of the 19th century, and his detailed conceptualizations for pieces seem as thoroughly plotted as those of a post-War total serialist, Currier writes music that very much belongs to our own less certain times.
Eight years ago, Ann Millikan, who was born and bred in California, relocated to Minnesota. While the change has not affected her music per se, it’s completely changed her working process and her sense of community.