Profiles

John Luther Adams: The Music of a True Place

In many cases, the aural images John Luther Adams creates can be directly traced to the powerful natural world that surrounds him in his home state of Alaska, a landscape that has undeniably left its imprint on his work. More broadly, however, Adams uses composition as a way to explore and understand the world around him, regardless of borders real and imagined.

Judd Greenstein—A World of Difference

As a co-founder of the New Amsterdam record label and the NOW Ensemble, composer Judd Greenstein thinks deeply about the changes he wants to see in the field and dedicates his time and talents to putting them into action. He is by turns idealistic and pragmatic, motivated by a desire to challenge artists and audiences, but also to keep pace with economic and social developments. “The world that we as composers and performers were operating in expanded exponentially,” Greenstein explains. “Now the conversation is with everyone.”

Oscar Bettison: Outsider Sounds

Upon first listen to composer Oscar Bettison’s music, most striking are the strangely disconcerting yet beguiling sound worlds that are created with relatively standard instrumental forces.

Christopher Campbell: For The Record

Christopher Campbell, who released his Sound the All-Clear on a three-sided LP, contends that the process of listening to music on “long play records” allows for a more personal relationship with the music as well as more focused listening, despite the possible mechanical imperfections of the medium.

Lei Liang—Taking Sound to the Extreme

Following in the footsteps of composers such as Tan Dun, Chen Yi, Bright Sheng and Chou Wen-chung, composer Lei Liang was able to learn a great deal through their example, but he has also felt a particular need to make his own way and develop a voice uniquely his own.