Profiles

Exponential: The Music of Zoë Keating

When Zoë Keating takes the stage, her charismatic presence—a perfect balance of focused performer and welcoming MC—exerts a magnetic attraction. She is a composer who, with a chair, her cello, a bit of software, and some amplification, conjures an entire orchestra of sound out of the timbres of this one instrument.

Cornelius Dufallo: Making It Personal

“Composing and performing help me discover who I am not only as an artist, but as a human being,” says composer and violinist Cornelius Dufallo, who enjoys a richly varied musical career that encompasses music from the realm of avant-garde improvisation to the most exacting fully-notated scores.

David Froom: Trusting the Connections

The musical life of composer David Froom is steeped in a sense of community. As a self-described extrovert who derives energy and inspiration from the company of other composers and musicians, he has developed a strong circle of performers and music-making opportunities in the Washington, D.C. and Baltimore area as well as in his St. Mary’s City, Maryland home.

Corey Dargel: The Challenges of Empathy

All of Corey Dargel’s output could potentially appeal to an extremely broad audience, even his most outré experiments in empathy. At the same time, his seemingly simple early songs are filled with embedded complexities and reward with focused listening time and again. Like many other difficult to categorize music creators of his generation, Dargel consistently defies classification.

Linda Dusman—Leading a Creative Life

“I always feel like whatever I’m working on is in response to where I am at the time,” Dusman explains, citing not only her concert music, but also her installation work and electroacoustic music. “I’m not trying to write music that’s an escape from anything. I’m really trying to write music that’s a reflection on the contemporary moment.”

Janice Giteck: Music in Mind

Sometimes a composer’s personality can speak volumes about the music she or he writes. Tranquility mixed with pointed curiosity fits both the outward persona of Janice Giteck as well as the character of her work. Her compositions, which focus on chamber music but also include orchestral works and film scores, combine the rigor of Western European musical training with a meld of Buddhist, Hasidic, Javanese, and African influences.

Mohammed Fairouz: Cross-Cultural Counterpoint

Mohammed Fairouz retains an optimistic outlook as he aspires to create music that carries a larger social meaning. And he has managed to garner an extraordinary array of performances for his deeply charged music all over the country—from over 100 art songs to a nearly 80-minute symphony for orchestra, soloists, and a nearly 100-voice chorus. This is no small feat for someone who is only 26-years old.

Bernard Rands: Complex Beauty

Bernard Rands navigates a variety of dualities both in his music and in his personal life. For someone approaching 80-years old, he is amazingly youthful and vigorous. Though he is steadfast in his routines, he’s constantly seeking and engaging with new ideas not only from music but also from art and literature. And all of this inevitably shows up in his own music.

James Falzone—Music Through Other Lenses

As an accomplished performer, composer, improviser, and educator, James Falzone pursues a musical vision rooted in the middle ground between the fully notated world of conservatory-trained musicians and the improvisation-based energy of jazz and creative music. It is a territory he explores with an omnivorous appetite for musical influences and aesthetic directions, whether leading his quartet KLANG through a set of contemporary jazz compositions at a late night haunt, directing liturgical music with the Grace Chicago Consort, or composing for orchestra.