Profiles

Sebastian Currier: Reversible Time

While the myriad details that are crammed into Sebastian Currier’s scores are reminiscent of the elaborate layers found in the Romantic music of the 19th century, and his detailed conceptualizations for pieces seem as thoroughly plotted as those of a post-War total serialist, Currier writes music that very much belongs to our own less certain times.

Lembit Beecher: To Tell a Tale, To Sing a Story

When Lembit Beecher was named composer-in-residence with the Opera Company of Philadelphia (in collaboration with Gotham Chamber Opera and Music-Theatre Group of New York) in 2011, he didn’t bring a large portfolio of operatic work with him to the brand new three-year program. An instinct and affection for storytelling, however, already infused his compositions.

Ann Millikan: On The Move

Eight years ago, Ann Millikan, who was born and bred in California, relocated to Minnesota. While the change has not affected her music per se, it’s completely changed her working process and her sense of community.

The Education of Randy Gibson

Plenty of composers flourish within the halls and harbors offered by academia, developing their artistic voices and finding their professional footing; Randy Gibson understood pretty quickly that he wasn’t one of them.

The Art of the $100 Guitar

A wide spectrum of guitarists have responded to the siren call of the $100 Guitar Project. No curatorial bar was set, no stylistic walls erected. It has been a community exercise, each musician encouraged to come to the project without preconceived ideas and to simply explore whatever the guitar suggests to them.

Judith Shatin: Multiple Histories

Many ingredients go into Judith Shatin’s music. While it is informed by a deep sense of musical history, it is just as much a by-product of her profound desire to search for new sounds. It is also deeply inspired by history itself, but not as an artifact. Rather it is something that is malleable and very much alive, something that we in the present can continue to engage with to better understand ourselves.

Matthew Welch: Finding Ground in the Uncommon

Welch’s music is the by-product of an unlikely blend—Indonesian gamelan, Scottish bagpipes, and indie rock. While these types of music might initially seem completely unrelated, Welch has found his compositional voice in their common ground.

Exponential: The Music of Zoë Keating

When Zoë Keating takes the stage, her charismatic presence—a perfect balance of focused performer and welcoming MC—exerts a magnetic attraction. She is a composer who, with a chair, her cello, a bit of software, and some amplification, conjures an entire orchestra of sound out of the timbres of this one instrument.

Cornelius Dufallo: Making It Personal

“Composing and performing help me discover who I am not only as an artist, but as a human being,” says composer and violinist Cornelius Dufallo, who enjoys a richly varied musical career that encompasses music from the realm of avant-garde improvisation to the most exacting fully-notated scores.