The legendary American educational philosopher Maxine Greene (b. 1917) met with Hollis Headrick (Executive Director, The Center for Arts Education), Polly Kahn (Director of Education, New York Philharmonic), Richard Kessler, and Frank J. Oteri to discuss the role new music could p[lay in arts education.
In celebration of the 60th anniversary of the founding of the American Music Center, the history of the AMC is here presented exclusively in the words of its six founders–Aaron Copland, Howard Hanson, Otto Luening, Quincy Porter, Marion Bauer, and Harrison Kerr–culled from archival interviews, books and letters and then shuffled and re-organized to emulate a conversation.
Although raised in Cuba, Tania León was born into a family that had roots from all different parts of the globe. Since arriving in the United States, where she has been based since 1967, she has come to realize that her own multicultural heritage is what makes her a quintessentially American composer.
One of the original “indie-classical” labels, San Francisco-based New Albion Records defined the West Coast Sound and helped to launch the careers of John Adams, John Luther Adams, Ingram Marshall, Paul Dresher, Stephen Scott, Chen Yi, Sarah Cahill, David Tanenbaum, Margaret Lang Tan, and many others. New Albion’s founder Foster Reed explains the label’s philosophy.
Two major American maverick composers talk via telephone about creating music without compromise, the impending end of the 20th century, and how to develop new audiences for new music in the future.
Composer and American Composers Forum co-founder Libby Larsen talks about how she came to music, taking charge of her own path as a composer, and how to be a good musical citizen.