Arnold Broido (Chairman and Past-President of Theodore Presser Company and Chairman of the International Confederation of Music Publishers) and his son, Tom Broido (Presser’s current President) describe the current state of music publishing and how that impacts the publication of new music.
Composer and Clarinetist Don Byron continues to defy expectations with every album and concert appearance he is associated with–whether his departure point is jazz, klezmer, hip-hop, contemporary classical music, or some strange hybrid that is somehow both all and none of the above.
The legendary American educational philosopher Maxine Greene (b. 1917) met with Hollis Headrick (Executive Director, The Center for Arts Education), Polly Kahn (Director of Education, New York Philharmonic), Richard Kessler, and Frank J. Oteri to discuss the role new music could p[lay in arts education.
In celebration of the 60th anniversary of the founding of the American Music Center, the history of the AMC is here presented exclusively in the words of its six founders–Aaron Copland, Howard Hanson, Otto Luening, Quincy Porter, Marion Bauer, and Harrison Kerr–culled from archival interviews, books and letters and then shuffled and re-organized to emulate a conversation.
Tod Machover shares some of the extraordinary new musical interfaces he has been creating at the MIT Media Lab and explains how and why these new technologies will redefine music in the 21st century.
To celebrate The Philadelphia Orchestra’s centenary on November 16, 2000, the artistic and management team of the orchestra decided to devote their entire 2000-2001 concert season exclusively to music composed since the orchestra was founded–that is to say the music of the 20th century.
Although raised in Cuba, Tania León was born into a family that had roots from all different parts of the globe. Since arriving in the United States, where she has been based since 1967, she has come to realize that her own multicultural heritage is what makes her a quintessentially American composer.
During his tenure as the President and CEO of The Ravinia Festival, Zarin Mehta (would would later become Executive Director of the New York Philharmonic), explained the delicate balancing act of presenting live music, a balancing act which is sometimes at odds with the presentation of new music.
One of the original “indie-classical” labels, San Francisco-based New Albion Records defined the West Coast Sound and helped to launch the careers of John Adams, John Luther Adams, Ingram Marshall, Paul Dresher, Stephen Scott, Chen Yi, Sarah Cahill, David Tanenbaum, Margaret Lang Tan, and many others. New Albion’s founder Foster Reed explains the label’s philosophy.
For the premiere issue of NewMusicBox (May 1999), the three founders of Bang on a Can–Michael Gordon, Julia Wolfe, and David Lang–met at ASCAP for a lengthy conversation with Frank J. Oteri, Richard Kessler, and Fran Richard about the current state of new music.