Whether Michael Daugherty’s music is channelling Elvis, Rosa Parks, Liberace, or Georgia O’Keeffe, it is extremely physical and fun to play.
Off the Charts: Big Band Circa 2006
One of the most surprising developments in recent years has been the resurgence of the big band as the medium of choice for a wide variety of up-and-coming musicians, including Darcy James Argue, Sherisse Rogers, and Charles Waters.
From electronics to Romanceros, Mario Davidovsky is not an adherent of any system, although his music is respectful of cultural traditions that go back millennia.
Elliott Sharp’s music continues to defy expectations; this is part of what makes it so exciting to listen to.
Composer Adam Guettel is trying to reinvent the musical theatre, and, if anyone out there can make such a thing happen, it’s him.
HE SAID, SHE SAID: Chen Yi and Zhou Long talk about how they’ve come to blend Chinese and Western classical compositional philosophies and sonorities as well as how they interact with each other as composers and spouses.
Whether hacking into an old radio or building software in pursuit of new sounds, composer Nicolas Collins is bending all the rules.
Orchestra Summit 2006
No one denies that we all want performances of new orchestral work that composers, musicians, and their audiences will look to with pride and satisfaction. Six key industry players discuss ways of reaching that goal and the hurdles that remain in our path.
Words seem to flow effortlessly from composer and essayist Ned Rorem, as do frequently biting comments, which we discovered when we spoke with him shortly after the world premiere of his opera, Our Town.
Daniel Bernard Roumain and Bill T. Jones simultaneously operate inside and outside the cultural mainstream.