The intense physicality that causes Peter Evans to produce such formidable spittle is backed up by his prodigious technique.
Despite having a career that has spanned five decades, two continents, and 15 symphonies, Gloria Coates remains a largely unknown quantity on these shores after years of success in Europe. It would seem, however, that the Atlantic tides are turning.
Ken Ueno is a man comfortable with a gear shift—a composer of music that thrills with its interior complexity in one case and probes the ear deeply with a simple overtone vocal line in the next. He is also as likely to pick up the inspiration for his work inside a candy store and a childhood memory as in the text of Calvino, Beckett, or Joyce.
Christopher Rouse believes music should have a sense of urgency and that the listener needs to bring a certain urgency to the experience of hearing it, too.
On stage, Molly Thompson’s music comes across as honestly raw and yet sophisticatedly crafted, filled with intimate lyrics and intriguing cross-genre influences. Off stage, she’s disarmingly forthcoming—the kind of woman you could easily think of as your best friend after a 15-minute conversation. Still, her musical personality seems to draw a curtain around some more mysterious internal characters, and it keeps her audiences on their toes.
June in Buffalo is one of the most important music festivals in the country dedicated entirely to contemporary music. Find out how the festival fosters young, free-thinking composers, not disciples.
A move to Amsterdam precipitated a burst of activity from Ned McGowan, turning him into a musical polymath whose diversity of interests is perhaps his greatest asset.
See Me, Hear Me: A/V Circa 2008
NewMusicBox celebrates its 9th anniversary with a bi-coastal exploration of audio/visual work, featuring talks with Scott Arford, Betsey Biggs, R. Luke DuBois, and the duo LoVid (Tali Hinkis and Kyle Lapidus).
Whether it’s the grandiose sweep of a Chopin etude or a defiant new piece by a little-known young composer, Jenny Lin dedicates every ounce of her musical prowess to deliver knock-’em-dead performances.
Gabriela Lena Frank’s compositions are a unique musical response to mestizaje, a state in which cultures can co-exist without one subjugating another.