Profiles

Sheila Jordan: Music Saved My Life

Sheila Jordan

Whatever Sheila Jordan sings she makes completely her own to the point that the line between composition and interpretation is extremely blurry. Now in her late 80s, Jordan is booked for the rest of the year with performances and masterclasses across the USA, as well in Germany, Austria, Italy, and Japan.

Erik Friedlander: Stories Without Words

Erik Friedlander

“It’s not your skill level, it’s how much you communicate,” cellist Erik Friedlander advises. “It’s how much you express that the audience really wants to hear. They come to hear you be real.”

Samuel Adler: Knowing What You’re Doing

Samuel Adler in front of a map of the United States

At 87, Samuel Adler remains steadfast in his determination to preserve and build upon the Western classical tradition–as the composer of six symphonies, five operas, a dozen concertos, tons of sonatas, and ten string quartets (eight of which he still acknowledges), as well as a teacher for 63 years and the author of definitive tomes on orchestration, choral conducting, and sight singing.

Miranda Cuckson: String Alchemist

Miranda Cuckson

Violinist Miranda Cuckson embraces even the sharpest, most unapproachable-seeming pieces, conveying the music with such palpable control and insight that it’s as if she’s holding the door into these worlds open for the audience.

Gelsey Bell: Get a Little Closer

Gelsey Bell

With a background that spans music theater, woman-at-the-piano club shows, and the presentation of experimental work, Gelsey Bell finds herself most at home in spaces of creative risk and vulnerability.

Jerome Kitzke: Stories That Must Be Told

jk-poster-social

Although his chosen means of expression is music, Jerome Kitzke describes himself as a storyteller. Kitzke’s musical stories have frequently dealt with the plight of Native Americans and other examples of social injustice. If his music inspires people to explore some of these issues on their own he considers himself successful.

Julian Wachner: Transcending the Sacred and the Profane

Julian Wachner sitting in front of Trinity Wall Street altar.

Composer, conductor, and Trinity Church music director Julian Wachner believes that all music is meant to induce a transformative experience upon the listener and believes that changing listeners’ lives through music is a “moral responsibility of the compositional craft and the performative craft as well.”

Daron Hagen: The Human Element

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For Daron Hagen, working on an opera is so immersive that his life can be fairly neatly divided into chapters corresponding to each of the operas he has written. Nowadays, even though he is principally concerned with being a father, opera continues to inspire him, in part because he sees parallels between writing opera and parenting.

Ken Thomson: Energized Complexities

Thomson square

Thomson’s often-complex work is carefully designed and communicates powerfully in live performance without exhausting the audience. We chat with him off stage about how he navigates multiple projects and genres while keeping listeners on the edge of their seats.

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