Profiles

Aleksandra Vrebalov: Finding Your Roots by Replanting Them

Coming to the USA from Serbia not only jump started Aleksandra Vrebalov’s compositional career early on, it also transformed her and led her to write deeply emotional music which, even though it clearly echoes the centuries-old traditions of her native land, she probably would not and could not have composed had she stayed there.

John Luther Adams: The Music of a True Place

In many cases, the aural images John Luther Adams creates can be directly traced to the powerful natural world that surrounds him in his home state of Alaska, a landscape that has undeniably left its imprint on his work. More broadly, however, Adams uses composition as a way to explore and understand the world around him, regardless of borders real and imagined.

Judd Greenstein—A World of Difference

As a co-founder of the New Amsterdam record label and the NOW Ensemble, composer Judd Greenstein thinks deeply about the changes he wants to see in the field and dedicates his time and talents to putting them into action. He is by turns idealistic and pragmatic, motivated by a desire to challenge artists and audiences, but also to keep pace with economic and social developments. “The world that we as composers and performers were operating in expanded exponentially,” Greenstein explains. “Now the conversation is with everyone.”

Oscar Bettison: Outsider Sounds

Upon first listen to composer Oscar Bettison’s music, most striking are the strangely disconcerting yet beguiling sound worlds that are created with relatively standard instrumental forces.

Christopher Campbell: For The Record

Christopher Campbell, who released his Sound the All-Clear on a three-sided LP, contends that the process of listening to music on “long play records” allows for a more personal relationship with the music as well as more focused listening, despite the possible mechanical imperfections of the medium.

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