In advance of the release of her second full-length album Unremembered, Sarah Kirkland Snider opens up about integrating disparate influences, embracing deeply emotional content, and the process of developing her signature works.
To conclude our first NewMusicBox LIVE! event, we invited Joan Tower to share her some of her acerbic wit and wisdom with us. Joining her to perform two of her dazzling virtuoso solo compositions were rising star violinist Bella Hristova and the iconic new music pianist Ursula Oppens.
Combining words and music, Matana Roberts recounts an experience that showcases the kindness of strangers and the instincts of an improviser.
In between highlights from his various albums, Gabriel Kahane charmed the gathered crowd with his story of moldy cookies, the letter, the golf sweater (which he was wearing), and a business trade with a most unexpected twist.
Advice from new music veterans on maintaining motivation, making career choices, and standing up to your critics. Also, we explain hip hop to Milton Babbitt.
By combining data, algorithms, and sampled sounds, Brian Foo is using his computer programming skills to learn how to make music. In the process, he’s turning these raw materials into deeply engaging and memorable sonic experiences.
The variety of activities that Charlie Morrow has been involved in for more than half a century is staggering even by today’s standards, when the wearing of numerous hats is almost a pre-requisite for being successful as a composer.
There’s a transformation happening in improvised music involving the embrace of a greater intervallic palette. Bay Area-based composer, saxophonist, and musical theorist Hafez Modirzadeh has been one of the key architects of this sonic expansion.
Although most of the music she composes is completely abstract, Melinda Wagner still always crafts her music intuitively and in such a way that it reflects her personality.
The time that Jen Shyu spent in Taiwan, Indonesia, East Timor, China, South Korea, Cuba and Brazil has broadened her musical language, but she still considers herself an experimental jazz vocalist.