Lee Hyla (1952-2014) was the “Alpha Composer”—charismatic, at the center of things. Not only composers, but jazz musicians and creative improvisers revered him, his creative energy was infectious. Everybody wanted a part of it, and he was happy to oblige.
Kevin Puts, whose contract extends for three seasons, will begin planning for the next Composer Institute, which will be held in January 2015.
Elodie Lauten (1950-2014) loved and respected music as a spiritual force and, with the wisdom of a sage, passionately instilled in others its importance, power, and significance. Using music, she nobly changed lives; there is no greater compliment.
Five jazz legends and 36 emerging talents were honored at the 2014 ASCAP Jazz Wall of Fame Induction Ceremony. It was an extraordinary celebration of the past, present, and future of jazz.
Among the first-prize winners in 13 separate award categories (ranging from educational folios to piano and guitar solos to choral and full orchestra scores) were publications containing music by Eric Ewazen, William Bolcom, and Mohammed Fairouz.
ASCAP and the League of American Orchestras present the awards each year to orchestras of all sizes for programs that challenge the audience, build the repertoire, and increase interest in the music of our time.
When Caroline Shaw is the senior composer on your program, you know you’re dealing with new music, so I was quite curious to see what SOLI had programmed for the show.
Sam Scranton’s Detritivore is an evening-length ensemble work that is both theatrical and restrained, simultaneously epic and intimate, and was so absorbing that I could not write about it without participating in the reverberations of the piece itself.
Maria Schneider, Paola Prestini, James M. Kendrick, John Nuechterlein and the American Composers Forum, plus the 27 recipients of the 2014 ASCAP Foundation Morton Gould Young Composer Awards, were honored by the American Society of Composers, Authors, and Publishers (ASCAP) during its 15th Annual Concert Music Awards.
Based in Houston and drawing on some of the finest players in town and from around the nation, River Oaks Chamber Orchestra is gearing up for their tenth season. Founder Alecia Lawyer talks with Andrew Sigler about how this perception-challenging ensemble got started and where it’s headed.