News

Diligence is to Magic as Progress is to Flight

Austin Wulliman

In our contemporary music landscape, long-term collaborations can be logistically and financially difficult to achieve. Two weeks ago, I visited violinist Austin Wulliman and composer/bassoonist Katherine Young in their studio and was intrigued to see them working together in an entirely new context.

Kernis Resigns from Minnesota Orchestra

AJK

The following letter of resignation by Aaron Jay Kernis, the director of the Composer Institute at the Minnesota Orchestra, was submitted earlier today to President Michael Henson, the board of directors, as well as the musicians and staff of the Minnesota Orchestra.

Austin Soundwaves: A Challenge Like Nothing Else

Austin Soundwaves rehearsal

When considering new directions in music education, examining how students are taught is important, but so to is developing ways to reach students who otherwise might not have the opportunity at all. Through El Sistema, hundreds of thousands of Venezuelan musicians have been educated over the past three decades; El Sistema USA is now providing ensemble music lessons to thousands of underserved students throughout the US as well.

Andrew Norman Joins Opera Philadelphia as Third Composer in Residence

Andrew Norman

Opera Philadelphia, in collaboration with Gotham Chamber Opera and Music-Theatre Group in New York, has announced that composer Andrew Norman has been selected as its third composer in residence. Norman was chosen from over 100 applicants for the position and now has the opportunity to follow a personalized development track focused on the advancement of his career as an operatic composer.

Iron Composer 2013

The Performance

For Iron Composer, an aural takeoff on the famed Japanese television cooking show, five finalist composers were each assigned a different form of audience participation as a “secret ingredient” and then were given a studio, an ensemble (a brass trio of double bell trumpet, horn, and trombone), and only five hours to compose a new work.

The Travis Weller Instrumentarium

The Bells with contact mics and mixer

Born and raised in Austin, Travis Weller came up playing violin and listening to all sorts of music, eventually gravitating to sounds and instruments that were well outside the norm. We’ve talked about composition, performance, and curation, but I’d never taken the time to speak with him about the instruments he builds. To remedy that, we sat down and talked about three of his creations: The Owl, The Skiffs, and The Steel Bells.

Narong Prangcharoen Wins $15K 2013 Barlow Prize

The Barlow Endowment for Music Composition has awarded Narong Prangcharoen the $15,000 2013 Barlow Prize to compose a major new work for wind ensemble. In addition, grants to nine other composers totaling $60K were announced, as well as a $10K commission for a Chinese composer in partnership with the Beijing Modern Music Festival.

Wellesley Composers Conference and Chamber Music Center

The conference is among the old guard of summer composer institutes and will celebrate its 70th anniversary next summer. Headed by Mario Davidovsky for nearly 40 years, the primary goal of the conference is to provide emerging composers with an opportunity to work with some of the best players from New York and Boston and to have their works performed and professionally recorded.

Music is Music: The 2013 PARMA Music Festival

What was most striking about the PARMA Festival was its diversity; diversity within musical styles and event types, its combination of local, national, and international artists, and also its audience, which included a wide variety of locals–even some passersby who happened to see a poster on the street.

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