We musicians know that silence is as precious as sound itself. But we also, like most human beings, fear the idea of a long silence. Is it safe—is it even possible—to pause our perpetual inner soundtrack and be truly alone with our chaotic thoughts, our chaotic selves?
Twenty-seven young composers have been selected from nearly 630 submissions. The award winners share prizes of more than $45,000 and receive complimentary copies of Sibelius software, donated by Avid.
The Foundation for Contemporary Arts announced the recipients of awards totalling $500,000: the biennial John Cage Award, the second Robert Rauschenberg Award, and 14 Grants to Artists awards in the disciplines of dance, music/sound, performance art/theatre, poetry, and visual arts.
Multimedia is a provocative tool to combat conformity, but hardly a foolproof one. Filmmaker/sound artist Ben Russell and musician Robert A. A. Lowe (a.k.a. Lichens) presented a joint show at Cambridge’s Middlesex Lounge, and that tension in the multimedia concept proved to be a running theme.
The American Academy of Arts and Letters has announced that composers David Lang and Alvin Singleton will be among the nine new members inducted during its annual induction and award ceremony in mid-May.
Two Big Apple bookends operating outside of the SXSW machine served to salvage an otherwise lost Spring Break. Jace Clayton was joined by narrator/singer Arooj Aftab and pianists David Friend and Emily Manzo to perform The Julius Eastman Memorial Dinner, while Brooklyn Rider played the first of two shows of their ten-day residency with Texas Performing Arts.
The American Composers Forum will present its 2014 Champion of New Music award to conductor Marin Alsop, retired ASCAP Vice President of Concert Music Frances Richard, and percussionist Steven Schick, at public ceremonies this spring in Baltimore, New York City, and Saint Paul.
The Piano Spheres concert series, a Los Angeles institution dedicated to expanding the repertoire for the instrument, was a risky proposition at first. But the LA new music community has changed in the past 20 years, and the series has evolved right along side it.
Since Ashley’s work was by design extremely collaborative, we wanted to honor his memory on NewMusicBox by having his key collaborators—each of whom are important creators in their own right—share their personal stories about working with him over the decades.
The No Idea Festival started its second decade of improvisation with six shows over a four-day period in Austin and San Antonio. Founder Chris Cogburn assembled another amazing collection of performers this year, drawn from across the country as well as Mexico.