It is a remarkably elevated art that is so incapable of settling down, constantly inspiring its practitioners to use the output of one set of rules as the input for a completely different set of rules. Musical style is a moving target. It certainly must be.
Eight young composers, aged 14 to 27, received cash prizes totaling $20,000 during the 62nd Annual BMI Student Composer Awards. Among the winners were Michael Boyman and Daniel Temkin who tied for the William Schuman Prize, the top honor, and Benjamin P. Wenzelberg who received the Carlos Surinach Prize, awarded to the competition’s youngest winner.
David T. Little has been selected from over 100 applicants as the fourth composer in residence in a collaborative initiative between Opera Philadelphia and two NYC-based organizations—Gotham Chamber Opera and Music-Theatre Group.
Operatic director Peter Sellars and rock icon Chuck Berry are the two recipients of the 2014 Polar prize. Each recipient receives a total amount of one million SEK (roughly $160,000 US).
That’s how I will always remember Leo Kraft: in the thick of it. He was always engaged. He didn’t just show up to life, he participated fully. And his music was never “easy”; he cared too much about music and the art of listening for it to be “easy.”
Matt Pakulski, the founder of new Chicago record label FPE, discusses his wide-ranging tastes, his approach to the curation and creation of musical objects, and the label’s first release—an album from Nicole Mitchell’s Black Earth Ensemble.
Mozart Requiem: Undead is the brainchild of Graham Reynolds, Peter Stopchinski, and Brent Baldwin. The trio commissioned Glenn Kotche, Caroline Shaw, DJ Spooky, Adrian Quesada, Kate Moore, Todd Reynolds, Petra Hayden, and Justin Sherburn to “finish” the Requiem based on a computer analysis of the original manuscript.
From an international pool of more than 400 applicants from 37 states and 7 additional countries and ranging in age from 9 to 84, 13 original scores for orchestra have been chosen for readings and performances by the New York Philharmonic and the American Composers Orchestra as part of the inaugural NY Phil Biennial.
Doris Duke Artist Award recipients receive $275,000, and Doris Duke Impact Award recipients receive $80,000. Since commencing in April 2012, the program has awarded a total of $18.1 million to artists in the fields of jazz, dance, and theater.
Fast Forward Austin is run by three Austin ex-pats who know what the town is all about and who keep that in mind when putting this annual circus together.