Since Ashley’s work was by design extremely collaborative, we wanted to honor his memory on NewMusicBox by having his key collaborators—each of whom are important creators in their own right—share their personal stories about working with him over the decades.
The No Idea Festival started its second decade of improvisation with six shows over a four-day period in Austin and San Antonio. Founder Chris Cogburn assembled another amazing collection of performers this year, drawn from across the country as well as Mexico.
The biennial award honors “contemporary composers of outstanding achievement who have significantly influenced the field of composition.”
The American Academy of Arts and Letters has announced the sixteen recipients of this year’s awards in music, which total $175,000. The winners were selected by a committee of academy members and will be presented at the academy’s annual ceremonial in May.
The idea that 21st-century new music is stylistically agnostic might be somewhere between a truism and an extrapolation, but Boston’s Equilibrium Concert Series actually comes pretty close to that ideal.
While his background is as academically rigorous as it could possibly be, Tod Machover’s compositional work, as well as his instrument and software design, leans in a direction that can certainly be described as approachable to a broad audience. This was on display in the recent production of his Pulitzer-nominated opera Death and the Powers by The Dallas Opera.
The Boston Symphony Chamber Players are celebrating their 50th anniversary with five premieres, nearly doubling the group’s commissioned repertoire all at once. The four new pieces on the February 9 concert were deliberately local.
Valentine’s Day is here, and for contemporary music enthusiasts, it can be hard to compile the proper playlist. From openhearted to kinky, we’ve got some pretty wide-ranging ideas of what romance is. Without further ado, here’s your 2014 playlist of avant-garde baby-makin’ music.
Steve Reich is the first American composer to be awarded the BBVA Foundation Frontiers of Knowledge Award in the Contemporary Music category. The award, which comes with a cash prize of €400,000, has previously been awarded to Pierre Boulez, Salvatore Sciarrino, Helmut Lachenmann, and Cristóbal Halffter.
Aperio curates concerts that one night might feature contemporary chamber music from the U.S. (like the one I attended last weekend) and focus on the music of Nicaragua the next. The change in focus from one region to the next over the course of a season helps Aperio track and understand trends on this side of the pond as distinct from concert series that include European repertoire.